So, I have some bad news, some good news, and some more bad news.
Bad news #1 is that there is a global pandemic on at the moment (you may have noticed, even if, like me, the major difference in your life is the explosion in your email inbox) and this has Repercussions. Many people are seeing Very Bad Repercussions Indeed, so let us all be thankful that the repercussions for publishing books are not quite so dire.
They do, however, mean that I am unable to give you a date when The Wound of Words will be available in paperback (and the date I gave to the National Library will need to be amended). I can’t sign off on distribution until I’ve seen a proof copy, and I won’t be seeing a proof copy until such time as postal services are available for non-essential traffic – and that’s assuming the Print On Demand facility is still up and running. (Subscribe on the Home page if you want to be the first to know when the paperback does become available.)
Enough of the bad news for now: have some good news! The cover for The Wound of Words is complete! Feast your eyes upon this:
It’s been a long road to this point of being a published author, and I have learned a lot. Some things I have learned from others, and some things I have learned the hard way. Here are a selection, in roughly the order I learned them.
I Some writers can produce remarkable work in odd bits and bobs of time. I am not one of those writers. It takes me a good half hour to submerge. Find out how you work best and don’t listen to those who say that there is only one right way to go to work.
II Making it up as you go along is not the only way to write – nor is is necessarily the best or most authentic way to write. It certainly works better for me if I take some time to brood and hatch out a skellington ahead of time. Again, find out how you work best and don’t listen to those who say that there is only one right way to go to work.
IIILyX is great. I type into a nice clear large-print text file, and when I click a button, it shows me how it will look on the page – all properly formatted like a Real Book. How much of this was set up by the Caped Gooseberry and how much comes straight out of the virtual box, I know not, but any way you slice it, I recommend LyX.
IV However good your word-processing/typesetting program is, you will still have to make a million decisions. Really. You have no idea how many decisions go into a book until you try it, and all the decisions will need to be made regardless of how little you care about them. (Rather like organizing a wedding in that respect.)
Font, margins, running heads and/or feet (with placement & content thereof), leadings, headings, et cetera ad nauseam. Don’t even get me started on the typographical complexities induced by the inclusion of another language (real or imaginary). On the plus side, all this decision-making means your book comes out looking just how you want it.
V On which point, details are not my forte, particularly typographical details. The Caped Gooseberry, on the other hand, is an excellent proof-reader. “This says leaned, but eighty pages ago you said leant – which is it to be?” (Yes, he is a man of myriad usefulnesses. No, you can’t have him. He is mine, all mine, muahahahaha.)
VI Nothing is ever simple. On average, you can expect one moderately major detour or road-bump for every decision you make. And sometimes there will be dead ends when you least expect them. The one thing which went much more smoothly than I expected turned out to lead to a brick wall.
VII Graphic designers design. Mac Operators carry out others’ designs. While a graphic designer may choose to take on mac operator work, mac operators don’t do graphic design work.
VIII Some ebook distributors won’t accept Creative Commons-licensed works, citing the vendors’ non-acceptance of Creative Commons & Public Domain works. However, a quick search of Amazon.com (the biggest fish in the pond), reveals that not only do they still list public domain works by Austen, Brontës, Dickens etc, but that they also list Creative Commons-licensed books by Cory Doctorow and Lawrence Lessig.
IX Other ebook distributors insist on putting on DRM, regardless of the author/publisher’s wishes. (Some of them also insist on taking a large part of the profits, despite incurring almost no cost whatsoever.)
X The wholesale discount includes 15% for the distributor, so a wholesale discount of 55% means 40% of the list price for the bookseller (generally the minimum brick-and-mortar booksellers will accept in order to stock a book). This leaves 45% for the publisher (in the case of self-published books, also the author) from which the printing and shipping costs are deducted.
Depending on the cost of printing and the list price, there may be very little left – and that’s before you take into account that the bookseller will expect to be refunded for any copies they don’t sell (and will either destroy them or charge you for shipping them back).
XI When the National Library of New Zealand CiP form says “What is the book about? (Describe the main topics, themes, and/or places covered. Please be as specific as possible.)” what it means is “please provide a brief description to be published verbatim.” (Embarrassing.)
XII You can’t use a Young Adult Fiction BISAC code unless the book is primarily classified as Young Adult Fiction – which ensures it will be shelved in places where adults fear to tread. Young adult readers, on the other hand, are not afraid of venturing into the adult section. (Yay for young readers!)
XIII A matte finish dims the colours of a cover more than you might expect. On the other hand, they feel lovely. Choose wisely.
Yes, some of these are definitely more serious than others (VI and X are pretty major), but if anything I’ve written here lets another writer learn something the easy way, I shall be delighted.
And if there are any other self-publishing Creative-Commons-using New Zealand-based writers out there, whether further along the road than me or not – drop me a line. I’d love to know that it’s Not Just Me.
Yes, I am as excited as you are. No, wait – I am more excited than you are! (Unless you are bouncing up and down going eeee! in which case, welcome to the team.)
I could blether on for hours about the long road to this point, but instead I will cut the cackle, come to the ‘osses, and show you this:
Isn’t it beautiful?
My thanks go to the Caped Gooseberry for getting the background to look the way I wanted it to, and to Eve Doyle for the stunning typography which is, I think we can all agree, the best bit.
Now, those of you who have encountered books before may be wondering where the rest of it is. What about a spine? Or a back cover? Fear not. There shall be a back and a spine (although the spine will not be in the middle of the back, as is usual in most vertebrates I know of).
And if you want to one day see them – or, indeed, see what lies inside this lovely-looking book cover, then pop across to the Home page and put your details in the form at the bottom.
Not the one at the very bottom – that’ll get you subscribed to the blog. The one headed Want To Be The First To Hear About New Releases? (Because you do, don’t you? First-equal, anyway.)
In fact, those who sign up will also be the first to hear when Restoration Day is available for pre-order, as it undoubtedly will be once I get all the technical duckies in a row.
It has just occurred to me to wonder where that expression came from. What are the duckies lining up for? I fear it will end badly for them. But not for us! We shall have books, spiny and otherwise.