A Working Wardrobe of Writing Tools

Today I thought I would indulge my stationery-geek side (and, hopefully, yours) by introducing you to my writing instruments. (No, I haven’t given them names. Yet.) Illustrated mostly with other people’s pictures, because mine aren’t much to look at.

full-collection
Yep, that’s about as good as my photos got. Sorry. Blame the gloomy weather.

First in seniority is the green Faber-Castell (with goldish accents) which I found, fully functional, in a box of disused fountain pens which was passed on to me by my husband’s family when they found I was interested in such things. (Now that’s the kind of family you want to marry into.) It was this pen that inspired my love for piston-filling fountain pens, and I used it to write the epically large first draft of my WIP. These days it contains Diamine Woodland Green and I use it mostly for writing in my spiritual diary.

From the same box of fountain pen goodness came the Platignum Shorthand Pen – black with silver accents. It uses a rubber sac with a squeezy bar to fill, with the downside of not being able to tell how much ink is left in it. Despite that drawback, it is rapidly becoming my go-to pen for general writing – shopping lists, to-do lists, notes – because it has such a fine line and isn’t too wet, so works well on general-purpose paper. It currently contains Waterman’s Havana Brown (now called Absolute Brown for Absolutely no reason that I am aware of.)

twsbi-bottle
The next to enter my life was my first ever new pen: the TWSBI Mini, which I bought to reward myself for slogging through all 158,840(ish) words of the first draft. It’s another piston-filler; in fact, if you have a TWSBI ink bottle – which I do – the pen’s barrel can refill straight from the socket in the top of the bottle lid, without any of the messiness inherent in dipping a nib into the bottle.
Unlike all my other pens, it also has a clear barrel, so you can see how much ink is left at all times. This also makes it an ideal pen for using with coloured inks. Currently it contains Diamine Majestic Purple, thematic colour of ye olde WIP, and is used for notes and records thereon and thereof.

The fourth of my pens, a gift from my parents last Christmas, is undoubtedly the most aesthetically impressive to behold. (You can’t just look at this one. You have to behold it.) Almost baroque in its ornateness, it features a barrel of Papua New Guinean rosewood, and so much metal ornamentation I got pulled out of line and had my bag searched when going through airport security with it. It’s quite a heavy pen, so I don’t use it for long pieces of writing. It is best for using a) when one feels like being impressive and b) when one wishes to draw a satisfyingly final line through items on to-do lists.

Allegorie op de tocht naar Chatham (1667) met een portret van Cornelis de Witt - Allegory on the Raid on the Medway (Cornelis Bisschop, 1668)
“Two swans – check; three putti – no, sorry, four; one blindfolded, with scales and sword, standing on a grumpy dog-lion – check; two random floozies in the sky…”

It’s rather a wet nib (so it doesn’t care for everyday paper) and has a smallish (piston-filling) ink chamber, considering the overall size of the pen. It is also filled with my general use brown ink.

Finally, and most recently arrived in my collection of writing implements, there is a pencil. A reusable (i.e. mechanical) one, naturally, for the sake of the environment if not my laissez-faire attitude to getting up to sharpen things. It’s a Pilot Birdie, slim and silver and, well, small. It uses 0.5mm leads and is itself only 5mm thick. It’s designed for use as a notebook pencil, but hey – I’ve got small hands, and it sticks out far enough behind my hand to be comfortable to use. I got mine second-hand, so there’s not much eraser left, but that’s all right. I mostly wanted a pencil instead of a pen for my morning pages (which I’m thinking of shifting to nighttime) so that if I fall asleep mid-page I don’t wake up bathed in Havana Brown.

Ink Blot
After all – they call them fountain pens for a reason.

Swings and Roundabouts

No, this is not a post about playgrounds, although while I was on holiday I did pay a brief visit to the largest playground in the Southern Hemisphere. (Well worth a visit. I especially enjoyed the Archimedes’ Screws, reminding me as they did of piston-filling fountain pens.)

Rather, I thought I would start my fourth blogging year (can you believe it?) with some exciting news on the Simplicity Front. Remember the epic quilt of craziness I slogged away at in my Year of Finishing Things? I finished it.

Newport Hill Climb finish line

Yes, ladies and gentlemen, I am now an official card-carrying member of that mysterious cadre, People Who Finish Things. (All right, there isn’t a card. But there should be. Maybe I’ll make one. I’ll even finish it…)

Not only did I finish the Giant Quilt of Craziness, ladies and gentlemen, boys and girls, I also delivered it to the intended recipient and it is no longer in my house. I do still have the scraps, but I am intending to make a hussif with them as a permanent reminder to myself never to begin such an enormous and ambitious project again.

So far so good. The house is less one large sewing project, which is a good step in the direction of simplicity. But… what you lose on the swings you make up on the roundabouts.

On the Merry-go-round at Deepwater Races - Deepwater, NSW, c. 1910 G Robertson-Cuninghame from The State Library of New South Wales

There’s the Box. The ancestral box which came down to me from my grandmother via my mother (the latter, I am happy to say, is not deceased, but rather, well ahead of the pack when it comes to pruning).

The box started out as three bags full (which should give you some idea of what was in it, if this didn’t). Actually, four bags full – there was a small one hiding behind one of the big ones. What it worked out to, once I had cunningly smuggled it home in my luggage (and the Caped Gooseberry’s luggage, obviously) was a 60L clear plastic storage container full to lid-not-fitting with yarn. “A good measure, pressed down, shaken together and running over.” Instant stash (although not SABLE, unless I pop my clogs well before my odometer ticks over to three-score and ten).

Not all of it is actually wool: some of it is 100% acrylic (I am shocked, Gran, shocked) and some of it was made up of worn out slippers and odd sleeves, button bands etc. Some of it was a Gordian Knot of odds and ends partially wound into little balls and partially wound into each other. This was gradually unwound over the course of three days with the help of The Occasional Visitor. (Alexander may have had a swift solution to his knotty problem, but I’d like to see him try to knit with it afterward.)

Alexander cutting the Gordian Knot.

Deceased slippers and assorted body-parts aside, I am welcoming this boxful into my home. Why? Because the point of simplicity isn’t to have as little as possible of anything. The point of simplicity is to have just enough of the right things – that’s lagom – and for me the right things include knitting wool. It makes me happy, and I make it into useful things for keeping people warm and well-dressed.

But fear not! I have by no means given up on pruning, or on Finishing Things (details to follow). In the meantime, I have large quantities of mystery yarn to test for fibre content. By which I mean setting bits of it on fire. So much happiness, from just one box…