Once upon a time there was a woman called Anna Margaretta Brereton, and she had ten children.
One by one, five of her children died. After the loss of her fifth child, she withdrew to her chamber and began to sew. She cut, she basted, she pieced, she appliquéd, she embroidered.
She hand-sewed not only a full, sweeping bedspread for a four-poster bed, but all the drapes and hangings to go with it.
There is a category on this blog marked Current Obsession. It is there for a reason. Generally my current obsession is either worked off in library books, or in handwork – the DPN/hook case, for example, or the Dishonour Cow. (Sometimes it is worked off in books about handwork.)
Frequently, however, the more hands-on obsessions are unwise to pursue, or at the very least imprudent, and this is why I use the Caped Gooseberry as a Sensible Sounding Board, because he doesn’t fall under the enchantment that the putative project projects on to me (or that the putative projects project on to me, if plural).
On the other hand, I can be very persuasive when in the grip of an obsession. Continue & Comment
First, select project: case for craft tools, perhaps? Consider design of perfect [insert project here]. Adjust specifications regularly to ensure perfect combination of variables is not overlooked.
After some months or years, find project has not eventuated. Success!
Important discovery for humankind! Net result of perfectionism appears to be nil – but further research clearly indicated.
Design perfect crochet-hook case, planning for capacity greatly exceeding likely lifetime quantity of crochet hooks. Agonize for extended period over choice of perfect fabric. Inky stretch velvet (aka Fabric of Unalterable Doom) cannot be passed by. Disregard lack of overlocker or even machine with zigzag stitch.