Wardrobe Architect 2: Defining a Core Style

This month, we consider what lies at the core of our style. Themes as opposed to plot or events, to use a bookish metaphor. There are a few questions, and then you distill your answers into key words and images. As always, you can download the worksheet (and read the original post & comments) on the Colette site.
Wholesome Milkmaid in 1945 (Phyllis Robins)
How do you feel in your favourite clothes? I think my favourite dress, strangely enough, is one of the plainest: brown, with a faint bleach stain at bench height. But wearing it, I feel capable, adult, set up and ready to go, prepared for everything – practical. (It may help that I like the things I wear with it: my most colourful kerchief and a harmonizing belt.)

How do you feel in not-right clothes? Itchy, uncoordinated (in colour not movement), over-exposed or shapeless; constricted – either in movement or in midsection.

Who are your style icons – what appeals? This is always a difficult one for me, because so seldom do I see anyone who dresses the way I’d like to. Pretty well never, in fact. The closest? Jane Eyre comes to mind, weirdly enough. A small, neat wardrobe, with one or two items reserved for special occasions (but I’d rather not have them all in black or grey!).
The Governess by Richard Redgrave
And then perhaps Andrea Grinberg for headwear, though her wraps are sometimes larger and more elaborate than I would feel me-ish in. Occasional items worn by the Duchess of Cambridge – although mostly eveningwear, as that seems to be the only time fashion permits the longer length I like. Other than that I mostly see things I like in historical and fantasy movies.  (Who’s with me?)

Actually, the 1840s seem to have been a reasonably reasonable time in clothing, compared to many eras: dresses mostly woman-shaped and the skirts not excessively immense. Not keen on the evening drop-shoulder, though: it’s bad for duelling (and most other things you might want to do).

What are some words for styles that aren’t quite you, though you like them?
I’m not sure of the reason behind this question, since “not quite you” isn’t what you really want to be focussing on. I suppose the ladylike suited look of the 1930s appeals, but isn’t quite me. Swashbuckling, Pre-Raphaelite, early medieval… Nice places to visit but I wouldn’t want to live there.

Brown lapin over green woolList about 15 words from last week’s answers.
long, fitted, quality, devotee, nonconformist, Melanesian, modesty, historical, kerchief, freedom [of movement], skirts, pockets, layers, waist, privacy.

Add some from this week’s answers. Neat, plain, capable, practical.

Boil down to 3-5 words.
Neat, historical, practical, quality, devotee.

And then – this is the fun bit – you go looking for 15-20 images that express these words for you. Not just images of clothing, but images generally which sum up the feel you’re looking for. You can do this online or old-school (back when cut and paste actually involved scissors and glue). I prefer old-school, but since we’re online, here’s one of mine in digital format.

Helen Allingham - Drying Clothes
Neat, historical, practical.
What words would you use to evoke your core style?

Grand Plans 2018

Yes, I have plans (both grand and cunning), and I’m starting to feel excited!
Villainc
Next year I’m going to be running two concurrent series on this blog. The first will record the progression of learning to sew my own clothes, starting with the simplest of garments (hint: it’s a square) and working my way up to a dress.

The other series I’m planning follows Colette’s Wardrobe Architect through the process of planning a wardrobe and figuring out what precisely you want/need to create for it. Wardrobe planning without the frustration of shopping – what could be better?

Each month will see me working on something slightly more complex than the last month, as well as doing one “week” of the Wardrobe Architect.
I’m still working out the details, balancing challenge with prudence, but planned projects include a simple skirt, an apron, a pair of shorts and a fabric torso suitable for making patterns from.

Clothes rackThere will be a total of about nine projects, so as to allow an extra month for the more complex ones. I’m a beginner, after all: not for me the churn-out-one-a-week challenges.

Nor are there likely to be zips, stretch fabric, linings, three-piece suits, outerwear or other more advanced projects and techniques. At least, not this year.

But I’m not just blogging about these so you can all hear what I’m up to. I’d love company!

Of course, you may not be interested in sewing a dress (or some of the other garments I’ve got planned) but sewing skills are sewing skills, regardless of what garment you use to learn them. Pick your target garment (in my case, a dress), list the skills, and lay out the garmenty steps required to learn them all.

Bear in mind, I’m no pro and this isn’t going to be a class. But if you’ve been wanting to learn to sew clothes for yourself (or others) and need a path, a catalyst, or just someone alongside to swap notes with, I’m happy to help. (Those of you who are further advanced are more than welcome to chip in with advice as we go along!)

All going well, we’ll arrive in 2019 with mapped-out plans for our wardrobes as well as the skills to get ourselves there. Or, at least, some of them; sewing is, after all, more a class of skills than a single skill itself.

You don’t have to do both series, either – you can do one or the other, or pick and choose what you’ll do and what you won’t. It’s entirely up to you how much you want to join in (or if you’d just like to comment from the sidelines).

We don’t start til January, so you’ve got plenty of time to consider and decide.
Jean Baptiste Jules Trayer Bretonische Schneiderinnen 1854
Interested?