Gut Reaction

What is your gut reaction to the word “routine”? What about “discipline”?

Complete GI tract
Don’t worry, there are no wrong answers! (Unless your digestive system is lying to you. Then, maybe worry a little.)

ἐπιεικής

I love this word. It means… well, as is so often the case with Greek words, it has a spread of meaning. It speaks of proportion, fairness and moderation. It is a question of what is appropriate, or fitting – like lagom. It is, in fact, the antithesis of taking more than one’s share. John V Taylor, in his book Enough is Enough, uses the word equipoise, meaning balance.

Beam and feet (close shot)“It is not poverty but balance we are after, and balance, I believe, may well mean for us in the affluent countries a reduction in our standard of living. But it would be an absurd exaggeration to say that for three-quarters of our population in Britain a reduction of standard would come anywhere near poverty.”

People tend to shy away from the idea of a reduction in their standard of living, but it is worth noting that ‘standard of living’ and ‘quality of life’ are not the same thing. ‘Standard’ refers largely to the physical, most notably wealth – how much you have, and how much you have compared to those around you. ‘Quality’ is more about how good your life is, rather than how many ‘goods’ you have.

This is rather like the difference between absolute and relative poverty. Absolute poverty is how little you have compared to what you need. Relative poverty is how little you have compared to those around you. I have always thought it strange that developed countries make such a to-do about so many percent of their population being under the poverty line, when the line is set as a percentage of the average. That means that if everyone in the country had their income doubled overnight, exactly the same number of people would be under the poverty line. Useful as an indicator of inequality, yes, but it doesn’t really say much about how many people are actually in genuine need – to my mind, a much more important thing to know.

Thomas B. Kennington - The pinch of poverty - Google Art Project
Moderation isn’t a slump in your quality of life. It doesn’t limit your enjoyment of the world. As the philosopher Epictetus said, “If one oversteps the bounds of moderation, the greatest pleasures cease to please.” Eating chocolate is a pleasure. Eating an entire block of chocolate results not in pleasure but nausea. Having nice things is a pleasure. Having your house so stuffed full of nice things that you can’t see most of them, let alone have room to appreciate them, is not a pleasure but a source of stress (and much unnecessary housework).

Moderation, in short, is not a miserly form of self-denial, but a way to more fully enjoy your life. But it can be very hard! It’s a struggle sometimes even to remember that we don’t have a duty to have, when our world is so geared to continual growth – the complete opposite of moderation.
John Taylor illustrates: “to take another example which is no flight of fancy, a well-known company produces 9 million articles a year, knowing that the demand for and actual use of these articles cannot exceed 5 million. The further 4 million are necessary for ‘growth’, though they meet no need. They have to be pushed (with a commission on sales) as courtesy Christmas presents which other firms may buy to distribute to their business associates. But any system of accounting which can describe as ‘growth’ 4 million articles thrown new-made into waste-paper baskets must be deliberately blinding itself to the reality of the whole.”

Papierkorb 2009
To look at it metaphorically, moderation dines well and ends the meal enjoyably replete. Consumerism – well, consumerism is Mr Creosote. Continual growth cannot go on forever. The After-Dinner Mint of Doom is coming. Of course, it doesn’t have to be doom all round. Some changes may be forced upon us in time, but most of us in the developed world currently have the ability to make our own choices about how much we consume, of what.

Perhaps it’s time to say, “Thank you, I’ve had enough.” Or, as a friend of mine taught her children to say, “Thank you, I have had an elegant sufficiency.” More cake? More toys? Thank you, I’ve had enough. What about some more clothes, or another little gadget – you don’t want to fall behind the times! Thank you, I have had an elegant sufficiency.

Of course, good manners can – and should – extend further than a polite refusal. Perhaps it’s time that we started asking questions of others at the table. May I help you to a share of these resources? Allow me to offer you a fair price… Can I serve you with some clean water?

Glass-half-fullἐπιεικής is not the boring middle-of-the-road. It is the pathway to a beautiful life, not only for us, but for others. And that’s why I love it.

In Praise of Hats

I own twelve hats. That should answer any lingering questions you may have as to which type I am. In fact (I have just realized), I have more hats than pairs of shoes. This, despite the fact that like the actress Emma Ishta, “I have a tiny head, which means most hats don’t fit very well. I do love them, though.”

[ D ] Edgar Degas - At the Milliner III had thought there was no use loving them – until I turned 21, and had a costume party to celebrate. Since there will always be those who show up without costumes, I did a round of the second-hand shops, looking for random hats to inflict on them. And one of the hats I found actually fit me. It was a small fur pillbox hat – whether it’s real fur or not, I’m not sure. There might be some rather acrylicky beasts out there…

It was a historic moment, for it was not until the Caped Gooseberry’s grandmother passed away that I once more came into the possession of a fitting hat. (Granddaughter-in-law is not usually a direct line of inheritance, but hey, if the hat fits…) She was a many-hatted lady, and I became bounteously hatted as a result.

My favourite of the whole hat inheritance is a soft mossy-coloured winter hat, with a dashing little brim. “Some hats can only be worn if you’re willing to be jaunty, to set them at an angle and to walk beneath them with a spring in your stride as if you’re only a step away from dancing,” Neil Gaiman wrote in Anansi Boys. This is that kind of hat. I love it.

A customer tries on a new hat in the millinery department of Bourne and Hollingsworth on London's Oxford Street in 1942. D6596I also came in for a fine white straw (worn when she was introduced to Prince Charles) and a funky handmade multicoloured ‘safari hat.’ I do have some other hats that fit, but they’re made of wool, which stretches, and therefore doesn’t really count. One is knitted and the other is crocheted, and they were both gifts.

But I refuse to be hampered by the possession of a “tiny wee bonce,” as the last milliner I visited so charmingly expressed it. (No, she didn’t have anything that fit me.) I still own a number of hats that don’t fit – unless I wear a bandanna underneath.

There’s a wide-brimmed black felt; a cheap and nasty sunhat (the only one of my hats I bought new); a brown pageboy cap which gives the effect of a bonnet; an actual bonnet I made from a pattern in Jane Austen’s Sewing Box; and a jester cap (with bells, naturally) that the Caped Gooseberry and I made from instructions in The Hat Book.

JaneAustenCassandraWatercolourThe most recent acquisition, however, is a writing hat – a suggestion of Kerry Greenwood’s. “I have a writing hat. It is a tricorne made from an old felt hat I had as a student. It tells me that I am writing, when I am wearing that hat. When I stop writing, I take it off… The hat also tells anyone who drops in on me to go away.” My writing hat is from a second-hand shop (naturally!) and is something I’d never seen before: a wide-brimmed fur. I don’t know what kind of animals the hat used to be; at a guess I’d say rabbit and fox. It’s got a soft dark crown and underbrim, with a big puffy brim of light brown (with white guard-hairs). The brim keeps my neck warm at the back and keeps distractions out of view to the front and sides.

Fur is a contentious subject, I know, but I don’t see putting old furs in landfills as a good solution. I wouldn’t buy a new fur unless it was possum or rabbit (both environmental pests in New Zealand) or otherwise humanely farmed. I do, after all, wear sheepskin slippers (I’ve had the same pair for about fifteen years) and what is sheepskin but a sheep-fur? I draw the line at astrakhan, though – that’s just nasty.

Persian lamb; photo credit Matthias BeckerThe reason I have chosen to wear this only as a writing hat is, simply put, cowardice. I am nervous about what reaction I might get if I wore a flagrantly fur hat in public. Admittedly, the Internet is very much public, but no one can hurl paint on me over the world wide web. I don’t know why paint-hurlers don’t seem to target those wearing leather hats. Or leather bikie gear. The only difference is that one still has the hair on, and the other doesn’t.

There are undoubtedly evils and abuses in the international fur trade, but it seems to me that the answer to abuses is not to ban the products altogether (excepting endangered species, obviously). The solution is to educate people about the origins of what they’re buying, so they can make ethical choices. We don’t shame egg-eaters, we ban the use of battery cages – and in the meantime, encourage people to buy free-range. Ditto with diamonds and the Kimberly Process (although that does seem to have its issues).

Friedrich August Kaulbach Portrait of a young lady in a fur hatSo instead of flinging my warm and elegant hat into the compost bin, I will keep using it as a head-cosy until the chill of winter has passed for another year – at which point I will need to decide which will be the summer writing hat. Suggestions?