Drawing the Dream into Life

If I lived in Middle Earth, I wouldn’t be an Elf (insufficiently ethereal) or an Ent (too hasty) or even a Dwarf (I don’t like beer). I’m not wise enough to be a wizard, or big enough to be an oliphaunt.

I’d like to think I’d be a bard in the hall of some minor HorseLord (or HorseLady) of Rohan, kept to work up the deeds of my employer into suitably heroic (and alliterative) verse to be chanted over a goblet of wine after dinner.

Inside Viking House in Rosala Viking Center in Finland

I’m thinking of practising my compositional skills on the saga of Boromir’s heroic resistance to swallowing a pill. (That’s Boromir my cat, not Boromir, son of Denethor. As far as I know, Boromir of Gondor could take his medicine with the best of ’em.) I could even try my skills at flyting.

But it seems more likely that I would have been a Hobbit: a short, round homebody.

The world of Middle-Earth is one of those fictional creations which exerts a fascination over its fans so strong that they want somehow to become part of it. Of course, the best way to become part of a story you love – or more accurately, to make it part of you – is less by buying the merchandise (how many One Rings can there be?) and more by incorporating the values and culture of the story into your own life. Living the story, in other words.

Map of the Middle Earth #2

I recently read a book by the intriguingly named Noble Smith, titled The Wisdom of the Shire: A Short Guide to a Long and Happy Life. (NB: if your surname is Smith, it behoves you to give your child an interesting forename. Mr Smith’s parents have clearly done their duty by him.) He draws out the threads of hobbitness from the tapestry of the novels which include them, and suggests how we might weave these threads into our own lives. “The Shire can become as real as we make it in our own lives and communities and countries.”

He speaks of the value of a good night’s sleep, suggesting that going to bed is a more sensible (and hobbity) thing to do than posting “I’m tired” on Facebook. He suggests eating locally grown food – what could be more hobbity than fresh garden produce? – and even provides a plan for growing a hobbity vegetable patch of your own. He promotes the hobbit pastime of walking, the importance of sustainability, and the value of quality craftsmanship (there’s no plastic dreck in a hobbit hole).

Bag End, Frodo and Bilbao Baggin's Home, Hobbiton

Parties are heartily encouraged, along with singing and the company of good friends – those with whom you can spend time “just hobbitting about.” Loyalty to friends is praised, as is the mending of quarrels, and the everyday devotion of what he calls “heroic monogamy.”

Reality, he notes, is superior to virtual reality. Anyone who has ever received a virtual gift knows this. Consider giving out mathom at your next party – your clutter can be another person’s gift. Greed is not good – don’t be a Sackville-Baggins.

When it comes to dealings with the Big Folk, Smith stresses the need to be true to yourself, not changing – or pretending to change – to suit the company in which you find yourself. Hobbits are never anything but themselves (even if they have been known to travel under an assumed name.)

Stamp Carousel / Stempelkarussell

Noble Smith writes strongly against the erosion of people’s rights (such as privacy) by the powers that be, adamant that such a state of things can only continue as long as people allow it – which would be a most un-hobbity submission. Bureaucracy is to be tolerated only so long as it serves the people – not vice versa. “Baffling rules made by flawed men sometimes need to be torn down and replaced with the standards of common sense.” There are few beings more commonsensical than a hobbit with his feet on the ground.

But perhaps you do not yearn for the rustic simplicity of a hobbit life. What world do you dream of – and how will you draw it into your waking life?

Tolkien Was a Hobbit! (A Tall One)

Frank Blackwell Mayer - Independence (Squire Jack Porter) - Google Art Project

“I am in fact a Hobbit in all but size. I like gardens, trees, and unmechanized farmlands; I smoke a pipe, and like good plain food (unrefrigerated), but detest French cooking; I like, and even dare to wear in these dull days, ornamental waistcoats. I am fond of mushrooms (out of a field); have a very simple sense of humour (which even my appreciative critics find tiresome); I go to bed late and get up late (when possible). I do not travel much.”
JRR Tolkien

HSM'15: Behold the Balaclava

There’s a saying floating round the internet: on a scale of one to ‘invade Russia in the winter’, how bad is your idea? Declaring war on Russia in autumn is definitely up the top end of the scale, which made it a fitting beginning for the Crimean War, a campaign so disastrous that a century and a half later it is still a byword for really poor decision-making. (Theirs not to reason why, theirs but to do and die…)

Museo Torre di San Martino della Battaglia - affresco 04

The Crimean War began when the Ottoman Empire declared war on Russia in October 1853 – the Ottoman Empire was weakening, and Russia thought this was an excellent opportunity to expand its borders, beginning by invading Ukraine. (Who says history never repeats?)

Other nations then joined in because – well, lots of reasons, mostly to do with not wanting Russia to get more powerful, or not wanting to lose face. (Oh, the countless deaths in wars fought because of What People Might Think.) Naturally, these were not the reasons given at the time. They seldom are, mostly because if you tell your troops they’re dying for the good of your reputation, they’re unlikely to join in with any enthusiasm.

Florence Nightingale. Coloured wood engraving, 1855. Wellcome V0004316

It was the Crimean War which gave us the Charge of the Light Brigade (which was, remarkably, successful – or would have been if their backups the Heavy Brigade hadn’t realised they were galloping into a deathtrap and retreated) as well as Florence Nightingale (before whose arrival troops were ten times more likely to die of disease than wounds) and the balaclava (named after the Battle of Balaclava, where the aforementioned Charge took place).

Following the Crimean War, the balaclava became a standard part of military headgear, particularly for use in cold climates. During the World Wars, demand exploded, and women were encouraged to knit for the troops. “Knit for Victory”, the World War I campaign exhorted, and by the Second World War, knitting was recognized as an important contribution to the Home Front.

Leisure and Entertainment during the Second World War D173

Women knitted at home, during breaks at work, in groups, or even in air-raid shelters, while waiting for the All Clear. The Anglican Church is said to have issued a ruling allowing women to knit during church services (something I still do, as I find keeping my hands busy helps me concentrate).

Socks were particularly in demand – they wore out quickly and needed to be changed more often than most knitted items – but scarves, gloves and balaclavas were also required. Naturally, the only colours allowed were khaki ‘drab’, or two kinds of blue (Navy & Air Force) – which soon lost their appeal for the knitters.

Newtown Women's Institute knitting comforts for the troops (4346388180)

Patterns were issued, including this one – for original visuals, click here and scroll along. (Thanks to the V&A Museum for making these available.)

This was the pattern I used – adapted to a more classic balaclava style by eliminating the front and back flaps which tucked into the uniform, as well as the ear-flaps.

I didn’t take any pictures of the construction, but if you want to visualize it, think of it as an upside-down sock: a section of rib to grip the neck (leg), a section of garter-stitch, then turn the parietal (heel). Except of course no-one needs a toe in their face, so the head-sock finishes with another section of rib around the face (mid-foot).

balaclava side view

So this is my latest entry for the Historical Sew Monthly: the Blue Balaclava.

The Challenge(s): Blue and War & Peace

Fabric: dark blue merino 4-ply (Ashford MacKenzie, if you want the details)

Pattern: The Balaclava Helmet from Essentials for the Forces: Jaeger Hand-Knit Series no. 44, courtesy of the V&A.

Year: first half of the 1940s

Notions: none. knitted on circular needles in widths of 3.25mm & 2.75mm, because that’s what I had

How historically accurate is it?: well, I fiddled the pattern, but I’m pretty confident balaclavas in this style (minus ear-flaps and tuck-ins) would have been around at the time – this one, for example.

blue balaclava

Hours to complete: I never know. Maybe ten, at a wild guess? When I knit I’m either relaxing, or doing it as a background to something else (reading, DVD, sermon…) so I never watch the clock.

First worn: in March, a day or two after it was finished. It was rather warm on the day itself – definitely too warm for balaclavas. But autumn is now here, and it’s getting a bit more wear.

Total cost: from stash, so officially none. It was part of a ball I’d used for a couple of other small projects. A whole ball (100g) is currently NZD16 – a bit over USD12. Alas, wool is no longer ninepence an ounce as specified in the pattern!

Part of what the Historical Sew Monthly is about is gaining a better understanding of the lives of those who lived before, and in this I cannot help but feel that I have failed. Unlike most if not all of the WWII knitters, I was knitting in peace and comfort, without being plagued by fear for a loved one’s safety, or grief for a loved one lost. Nor was I being bombed.

Air Raid Precautions at Kingston House, Knightsbridge, London, England, C 1940 D57

That’s the sort of thing you really can’t understand unless you experience it, and thank God, I haven’t. I knit my balaclava for a husband who is safely at home, and the cold it will protect him from is the nippy wind of a Wellington winter, not the bone-chilling frozenness of a battlefield (although to be fair, if we’d lived seventy years ago I’m pretty sure he would have been a much-maligned ‘conchie’ – a conscientious objector).

But if reading about the Crimean War and the women left behind in the World Wars has taught me anything, it’s to value peace. Because peace is a lot like breathing freely: you take it for granted – until you get a head-cold. And then you can’t think about anything else, and you’ll do anything that looks like it might help, and you swear you’ll never forget how glorious a thing it is, this breathing freely, this freedom, this peace.
But you do. You forget. We forget. And we mustn’t.

Ve Day Celebrations in London, 8 May 1945 HU41808