15 Favourite Children’s Books

Reading was one of my favourite activities as a child – still is, in fact – and of course, good children’s books are a pleasure to all ages. Here are some of my favourites, in no particular order.

Wilcox
The Monster at the End of This Book (starring lovable, furry old Grover) and written by Jon Stone. A brilliant example of how you can play with the physical bookness of a book (although I hear the tale has now made an appearance on Twitter).

The House that Sailed Away by Pat Hutchins. Grandma! Cannibals! Pirates! The first time I ever encountered the word posthumous! (Side note: why is it that cannibals are always depicted as boiling people in large iron pots? If you live on a desert island, as such cannibals generally do, where on earth are you going to get a large iron pot from?)

The Search for Delicious by Natalie Babbitt (perhaps better known for her novel Tuck Everlasting). This is the kind of book I hope to be able to write, and you can’t say better than that.

Carved Stone Mermaid Mural
Big Max by Kin Platt is possibly the first detective story I ever read. Big Max is the greatest detective who ever lived. Everyone knew it. The King of Pooka-Pooka knew it, which is why he called Big Max in when his pet elephant Jumbo went missing. It has been decades since I last read this book, but the phrase “The King of Pooka-Pooka knew it” is still current in my family.

My Cat Likes to Hide in Boxes is a New Zealand book, written by Eve Sutton (and illustrated by Lynley Dodd, who went on to write the Hairy Maclary books). Cats from around the world do marvelous things, but “my cat likes to hide in boxes.” This book shall forever live in family history as the reason for the following exchange:

Father (who ought to have known better): Look, there’s Mr. Anon! He’s from Norway.
Small children (with gusto): “The cat from Norway –”
Father (knowing how it ends): Shhh! Shhhhh!

Cat refuge (423926200)
Embroidery Mary by Priscilla M Warner is a book that I have loved for years. The little community library where I grew up had the only copy I have ever seen, and great was my delight on the day when it was decommissioned because it had only been borrowed twice in the past ten years (and both of those borrowers were me).

The Warden’s Niece by Gillian Avery tells the story of Maria, a Victorian-era girl who flees her bullying school and is taken in by her uncle, the Warden of an Oxford College – mostly because he is impressed by her dream of becoming Professor of Greek (this was at the point when women had only just been admitted as students).

Mistress Masham’s Repose by T.H. White (better known perhaps for his book The Sword in the Stone and its sequels) is the story of another Maria; a delightfully odd book, full of crumbled grandeurs and vigorous characters. My favourites are Cook (“Any character of yours, Mum,” said Cook superbly, “is what I’d not besmirch my own possession of which with the application of,”) and the classic absent-minded professor.

Beginning reader
Toot by Leslie Patricelli is not a book I enjoyed as a child, mostly because I was in my late twenties by the time it was published. It is a children’s book, however, and it is a favourite, so I make no excuses for including it here. Toilet humour may be considered infra dig by some, but I, like C.S. Lewis, have grown out of wishing to be thought terribly grown up.

Speaking of C.S. Lewis, The Chronicles of Narnia are such widely cherished favourites that I had probably better be a bit more detailed in my preferences. I particularly enjoyed reading (and re-reading) The Horse and His Boy; and often also The Magician’s Nephew. The Last Battle, on the other hand, I mostly only liked the ending of.

The BFG (by Roald Dahl) is another of those once-read-never-forgotten stories (with, of course, a certain amount of tooting, or rather whizzpopping, of its own). I find it hard to pin down what it is I love about this book, but I do.

The Long Patrol by Brian Jacques was the first Redwall book I ever read – I picked it out by chance in a bookshop – and from the first I loved its unashamed adventurousness. Good stuff.

At A Reading Desk by Frederic Leighton
A Little Princess by Frances Hodgson Burnett is one of those books which combines dreamy wish-fulfillment with the comforting knowledge that someone has it worse than you, and if they can hack it with grace – and of course, imagination – then so can you. And of course, everyone gets what they deserve in the end, which is always satisfying.

Of course, not everything I read as a child was fiction. There was the children’s encyclopaedia, for a start. I don’t remember what sort it was, but it came in a number of volumes and was my invariable resort when I’d run out of other reading. But I usually started afresh from the beginning of Volume 1 each time, thus learning a fair bit about Abbeys and Abbots if nothing else.

And there was a book of crafts which I still wish I could find a copy of, full of vintage photos and fun things to make. There was a stuffed toy lamb with wire coat-hangers keeping its legs straight; a gardening set which included a rake and wheelbarrow; and dozens of other things. If anyone knows the book, and where I can find a copy, I shall be greatly indebted to you and all my sorrows shall be at an end.

William-Adolphe Bouguereau (1825-1905) - The Difficult Lesson (1884)
What are your favourite children’s books? Have you re-read them recently? Feel free to share your recommendations!
Oh, and the cat from Norway, in case it is still preying on your mind, “got stuck in the doorway.”

10 Reasons Why Cuttlefish are Amazing

Number 1: their ink is actually ink. Sepia, in fact. Yep, all those drawings by Leonardo da Vinci started life in a cuttlefish ink sac.
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Number 2: They have greeny-blue blood. This is because where we have iron in our blood, creating that lovely rust colour, they have copper, creating that lovely old-copper-roof colour.

Number 3: They have three hearts (eat your paltry two hearts out, Doctor). This is because green blood isn’t as efficient with the whole oxygen-moving thing as red blood is.

Number 4: They have pupils like inverted monobrows. I mean, look at this:
Cuttlefish eyeNumber 5: On the subject of eyes, they apparently get their eyes all up and running before they hatch from their eggs. So if you happen to swim past a batch of cuttlefish eggs, beware – they’re watching you. And it has been suggested that they gravitate toward the sort of food they saw pre-hatch. (Death by oodles of baby cuttlefish: cutest creepy death ever.)

Number 6: Continuing on the subject of eyes, the cuttlefish has no blind spot. So don’t think you can escape…

Number 7: They are masters (and mistresses) of disguise. They can change colour like sea-chameleons (despite being unable to see colour); they can change their skin texture to more closely resemble their background. And they can do all this accurately, even in near total darkness. How, no one knows. They can even present different appearances on different sides of their body.

Camouflage
See the seafloor, cuddle the seafloor, be the seafloor…

Number 8: One of their colour patterns, used by males when in an aggro situation, is called “Intense Zebra”. (Out of such little joys is a life made…) Not to mention that there’s a species of cuttlefish called the “Flamboyant Cuttlefish”. And here’s why:
Metasepia pfefferi 1Number 9: They have an internal shell, called the cuttlebone, which they use for going up and down like a submarine. More liquid in the shell: down. Less liquid: up. The cuttlebone has also been used for centuries by metalworkers for making moulds for little fiddly things; and more recently by owners of caged birds for keeping up their calcium intake. (The birds’ calcium intake, that is. Not their owners. As far as I know.)

Number 10: They can be terribly grand and impressive:
Giant Cuttlefish-sepia apama (8643345101)
or completely gosh-darnit cute:
Sepia latimanus (Reef cuttlefish) all whiteAmazing critters, aren’t they? Which is why I decided to knit a cuttlefish cover for my cellphone. It’s not entirely like a cuttlefish, but it has points of resemblance. I started out intending to use this pattern but in the end it was more ‘inspired by’ than actually ‘based on’.

cuttlefishcosy

Fits smartphone measuring 63 x 120 x 10mm. Howdunnit available on request.

Pocket Restoration

Holes in your pockets. The very image of lack and loss. But do not despair – the garment and its pockets can be saved. All you need are pins, needle, thread, a bit of fabric and the will to make a difference.

If you’re anything like me, the invalided garment sits in a heap in the mending pile until you either grit your teeth and get on to the job of mending it, or decide you don’t need it that badly after all and out it goes.

Laundry basket full of ferrets!
Signs You Have Left Your Mending Too Long #14: Ferret Infestation

And so it was with my husband’s trousers (except without ferrets). Before anyone objects to me mending my husband’s clothes for him, let me point out that he does my techie ‘mending’ for me. From each according to their ability; to each according to their need, as the apostle Paul said, though admittedly, not in those words.

The problem wasn’t so much finding the time or motivation to mend them, as finding the know-how. Because the problem was one I’d never tackled before. I knew I could put a patch on a patch pocket, but this is the other kind: set-in. Further complicated by discovering that the whole side of the pocket was so worn you could read through it.

hole1
Highlighting of hole provided by The Leaky Pen of Yesteryear. And how come we have yesteryear and yesterday but not yestermonth or yesterweek?

Would I need to replace a whole pocket? Did I know how? (Clearly, no.) But that didn’t stop me. The first thing I did was to wash and iron a long thinnish piece of calico (or muslin, depending on where you come from). That was it for a month or so while my eyes recovered.

The next step was to lay the calico (as I shall call it) over the worn side of the pocket and pin along the only straight line the pocket had. I used the selvedge (or selvage) for this. Some people say you should never use the selvedge for anything, but clearly, I am not one of them.

Then it was a matter of pinning, trimming, and pinning some more. Handy hint: if you’re going to tuck an edge under a pre-existing overhang, you can push the whole cloth under and then press down. Pull the fabric out and it’s got a crease showing you where the fold will be. Cut the excess off, a short distance from the fold, and Bob’s your uncle. Example:

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In this case, the folded hem will fit under the waistband (the bit marked Domino). Don’t forget to fold the fold the other way to pin in place – raw edge underneath.

Carry on trimming and pinning, until the fabric is fitted all the way around.

To make my life that much easier, instead of shaping the calico to the curve of the pocket at the bottom, I simply pinned a hem and folded it over to the back of the pocket. Like this. (Clicking may result in a bigger image.)

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Then I tacked it. Tacking is one of those things, like flossing your teeth and knitting a gauge swatch, that you know you ought to do, but frequently don’t. Maybe it’s my age beginning to show, but I find I am now doing all of those things. I don’t say I necessarily enjoy them, but I enjoy not having the after-effects of not doing them: wiggly seams, dentist’s drills, and outsize socks.

The other important thing to remember is that you shouldn’t tack through too many layers. If you can’t get your hand into the pocket, you’ve gone too far. The same goes for the fold-up seam at the bottom, unless you want a squared-off pocket.

tacked

The other good thing about tacking (besides the stability it gives when doing the actual sewing) is that you can have a try-on without the victim wearer having to do the Dance of Extreme Delicacy as pin-points menace their recoiling flesh. This is a chance to make sure that there are no uncomfortable bumps, chafing spots etc; and that the pocket hangs properly.

Then you retrieve the garment, and (at least if you are me) repeat the procedure from the top for the other pocket.

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Once it’s all placed, pinned, tacked and tried, you are ready to sew. I sewed by hand, because there are some things that are fiddlier by machine than hand, and sewing through only some of the layers is one of those things. It didn’t take very long, to my surprise.

Once you’ve sewn everywhere that was tacked, you can take out the tacking. Finished? No, not quite. You still have a hole on the inside of your pocket, and unless you want to deal with the anguish of trying to extract something from between the original pocket and the new layer, you had better take the final step.

Simply sew an outline of running stitch around each hole, fastening it to the new layer. (But not all layers, unless you want a donut pocket.) As thus:

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Well done! You have rescued a garment from the looming shadow of the rubbish dump and restored it to useful life. And that is what I call practical ethics.