Review – Page 8 – Deborah Makarios

September 22, 2013

The Artist's Way: A Sense of Catching Up

Covering July: a Sense of Connection, August: a Sense of Strength, and September: a Sense of Compassion.
Lightly covering – a crisp linen sheet, say, rather than a fat and puffy quilt.

July revealed such gems as “I believe I am getting better at socks” (knitting them, not the Pratchett kind) and “I feel more possible” (although the Caped Gooseberry assures me I am not only possible, but actual – I think my meaning may have escaped him).
Also “As a kid, we never had enough: books” (whether you can have enough books is debatable; our perceived lack drove me to read encyclopaedias and Agatha Christie at the age of six, so it’s not all bad).

August asked me to complete this sentence: In a perfect world I would secretly love to be a…
All right, there’s not much secret about it, but I want to be a full-time writer.
In five years’ time, I’d like to be writing full time with one novel published and two plays produced.
What can I do now to help make that happen?
Write hard on Mondays. Make the most of morning spaces. Get to bed on time.

I was also invited to select a role model. The three women who sprang to mind are not only among my favourite writers (international women of mystery) but are also all three writers who balanced novels and the theatre in some way or another: Agatha Christie, Ngaio Marsh and Dorothy Sayers.

The one woman who sprang to mind whom I most certainly do not wish to take for my pattern is P.D. James – at least having a DDJ until reaching retirement age. In the areas of literary achievement, faith and perseverance (not to mention the life peerage) I’d be most happy to follow her example.

Also, if I was a colour, I’d be russet: colour of earth and blood, rich cloth and poor, and the bindings of old books. The colour of autumn leaves, the colour of rust.

September brought an insight – I should stop calling myself lazy. I wrote “you may be scared, self-doubting and self-flagellating, feeling tired, heartsick and guilty – but you are not lazy.”

Procrastination isn’t the result of laziness, Cameron says. It’s the result of fear. “Fear is what blocks an artist. The fear of not being good enough. The fear of not finishing. The fear of failure and of success. The fear of beginning at all.” (p.152)

Another insight: “Over any extended period of time, being an artist requires enthusiasm more than discipline. Enthusiasm is not an emotional state. It is a spiritual commitment…” (p.153).

Much like marriage: you can’t stay in the same emotional state for 50 years, you need commitment. But commitment shouldn’t be replaced by discipline (hug two three! kiss two three!) because discipline isn’t rooted in love – except perhaps in love with how wonderfully disciplined we are!

The trick is to find our enthusiasm for the task at hand – and how to find it quickly in the pre-dawn dark when getting out of the nice warm bed seems like a particularly sadistic rebirthing technique.

As always, your wisdom welcomed! Or witty folly (better a witty fool than a foolish wit) – we’re not fussy here!

Sinistra Inksteyne

July 5, 2013

June: a Sense of Abundance

This month proved a struggle, looking at abundance – primarily in terms of material abundance – when all I seemed to abound in was phlegm. Such Fun.

I think Julia Cameron is really on to something here: “For many of us, raised to believe that money is the real source of security, a dependence on God feels foolhardy, suicidal, even laughable.” (p.105)

I was raised by two people who were most definitely dependent on God rather than money, and I still struggle with wanting to be financially secure all the time, not to risk having nothing to fall back on.

“We have tried to be sensible – as though we have any proof at all that God is sensible…”
“Snowflakes, of course are the ultimate exercise in sheer creative glee. No two alike.” (p.107)

Dare we dream that God has something better for us than we have at present? Not necessarily something easier, or safer, to be sure, but better?

Now, Cameron and I do differ in places. She characterises common belief as “Hard work is good. A terrible job must be building our moral fiber.” (p.106)

And you know what? I think hard work is good. I think a terrible job can build your strength, your endurance. I think I have become a better writer by having to struggle to write. I’ve had to ask myself – how much do I want this? I’ve had to develop discipline, and you can’t tell me that’s a waste of time.

But that doesn’t mean that the Dreaded Day Job is all there is, in perpetuity. People don’t keep going to school once they’ve passed their last exams. Soldiers don’t stay in basic training forever.

But here’s what scares me: once you leave training is when the work really starts.

And here’s another thought: your dreams and God’s dreams for you aren’t necessarily the same dreams (although they can be). But given a clash, God’s dreams are always better. And bigger. And scarier, because we don’t think we can do it, and he knows we can (with his help), and he’s just got to keep pushing us til we reach the place where we’re prepared to try.

An acorn may be content to become a modest shrub, but God will not be content until he has made it an oak.

You can’t out-dream God.

Cameron moves on to discuss the idea of creative luxury – not wallowing in plutocratic plushiness, but allowing yourself those non-utilitarian things which feed your soul. Things that make you feel rich in life – doesn’t have to be expensive. An old LP of great music. A monthly packet of chocolate biscuits. Really nice paper to write on, instead of a ratty old exercise book. A beautiful cup and saucer, second-hand.

I freely admit that I didn’t do most of the exercises this month. For some reason, this is the month with all the practical stuff in it. Go outside and find five interesting rocks. (I have bronchitis.) Find five flowers. (It’s winter. Plus I have bronchitis.) Bake something. (It’s winter in the kitchen too.)

Things that I didn’t do but still intend to once I recover: purge 5 old ratty items of clothing; send 5 postcards to friends you’d like to hear from; make some changes to the [cluttered, messy] home environment.
I can’t decide whether to go for this:

or this:

Dreaming too big? Mighty oaks from tiny acorns grow.

And DDJ – your days are numbered. Even though I don’t know the number yet. God’s got dreams…

June 4, 2013

Bird By Bird

by Anne Lamott.

This is so not your usual book on how to be a writer, but I did find it enormously encouraging. (Don’t take my word for it, read it yourself. Really.)

For example, that feeling you get when you finish your first draft (at last! hurrah!) and then look back and realise it’s so bad you now live in terror of dying before you can fix it, because people might think you honourably disembowelled yourself from the shame of producing such putridity.

In short, Anne Lamott says it’s ok to be pathologically self-doubting and insecure as a writer. She even suggests that this is quite common among writers, along with such traits as hypochondria and melodramatic tendencies. (Moi?)

She’s witty and funny and erudite and casually well-read (“I scuttled across the screen like Prufrock’s crab”) and really easy to read.
Most of all, she is encouraging.

The flailing first draft, she says is “the child’s draft… let it romp all over the place”.

No-one will see it. Unless you die before the rewrite. (Try to avoid this.)

And as for all the shouting and hissing in your head (not the characters, but the voice Julia Cameron identifies as the Censor), Anne Lamott recognises this can be more than one voice. And here’s what she suggests you do with them:

That’s right.
Shrink them down to mouse size and plunk them in a jar. Let them squeak as much as they please in there – you’re not listening.

Another interesting suggestion: “write a book back to V.S. Naipaul or Margaret Atwood or Wendell Berry or whoever it is who most made you want to write, whose work you most love to read. Make it as good as you can.”

Who would that be for you? On the most-love-to-read side for me would be perhaps P.G. Wodehouse, Agatha Christie and Terry Pratchett. (Sir, Dame & Sir. What does that tell you?)

Have you ever experienced that anguished jealous ache of reading the perfect sentence and not having written it? Who did?

Crucially for those of us who frequently enjoy the writing less than the having written, Lamott points out that you do actually have to want to write – wanting to be published is not going to cut it. (Publication is not the answer, whatever the question of your life.)

Perseverance is tremendously important: “God is not a short-order cook”. She quotes E.L Doctorow: “writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.”

I wondered a while back whether each step we take, momentous as it may seem, is only to pull us up to where we can take the next.
I wonder it now more than ever.
I wonder what’s just beyond the headlights.

[Disclaimer: once again, I borrowed this book from the library – nobody paid me and I paid nobody. I consider this makes me a maximally unbiased reviewer. Others may differ.]