The Month of Prunen

I feel rather sorry for those who had to live under the French Revolutionary Calendar. Imagine making it through the months of Mist and Frost, only to have Snowy, Rainy and Windy to look forward to! Not to mention the rather unpleasant idea of having to work nine days before you get a single day off.

Pluviôse commence le 21 ou 22 janvier
So when it came to the world-building task of creating a calendar for Restoration Day, I knew some things I wanted to do, and some things I wanted to avoid. Like the Jacobins, I created a round of months which reflected the natural world. Unlike the Jacobins, I had more sense than to try to introduce decimal weeks.

The Arcelian calendar begins with spring: Grenian (greening), Blosse (blossom) and Molsh – time to fork some mulch onto the garden before the summer heat comes and dries everything out. Summer starts, you see, with Sunnen and ends with Dryden, with Hayen in the middle. Autumn brings Hærfest (time for a party!) followed by Sere (as everything withers) and Misth (you can tell winter is around the corner, can’t you?).

Unlike the Jacobin calendar, the winter months focus less on the doings of the dismal weather, and more on the doings of the people. The first month of winter is Prunen, followed by Diggen, which brings us at last to Budd, holding out the promise of the green of spring returning at last.

apple-tree-964475_640I had considered relating these months to the months of the Gregorian calendar, but then it occurred to me that my readers span both hemispheres and Confusion Is Liable To Result.

In the northern continents, for example, it is now Hayen, a time of hotness and dry grass. Down here in New Zealand, hotness is exactly what it isn’t, and as for dry grass, the last time I saw the cat bound across the back yard, it was like watching a skipping stone – splash, splash, splash.

No, down here it is Diggen time, although due to being rather behindhand with the gardening (I don’t like to go out when it’s raining, which is often), we are still at work on the pruning. Not the getting-rid-of-unnecessary-stuff-around-the-house kind of pruning, the actual pruning kind of pruning, with chopping off of branches and the like.

pruning shears and gloves

This year’s big effort is on the grapevine, a lordly, shed-eating monster which I suspect had not been pruned in years if not decades. To give you an idea of its size: the Google Earth image of our property does not give any indication that that shed exists. As far as the satellites are concerned, there is nothing but grapevine.

It not only covered the roof of the woodshed, it hung down on all four sides. Obviously, time for a haircut, preferably one that left the grapevine fruiting in places we could reach. Enter the ladder, the loppers and the secateurs. Also, to my surprise, the bucket and trowel.

Things which I did not expect to find in the grapevine:
> loop-de-loops and pretzels of blackened branches which had not seen the sun in years
> a thick layer of loam (the remains of years or decades of rotted-down leaves and grapes)
> earthworms (some white and squirming in the unaccustomed light)
> root systems (yes, some of the branches were putting down roots into the compost. I didn’t even know grapes could do that.)
> snails and slugs (some quite enormous)
> wetas (several)

TreeWeta female 03
Surprise!

> literally hundreds of slaters/woodlice and Things With Legs (did you know that slaters aka woodlice are crustaceans? Like lobsters. It does not make me loathe them any less.)
> and a large spider (only one, mercifully. Possibly a black tunnel-web spider, but I think I shall call it a cabochon spider, for its thorax and abdomen were round and smooth and tastefully coloured, at least until I beat it to a pulp with the trowel. After that, not so much.)

After digging up all that, I wouldn’t have been that surprised if I found a lost civilization or the portal to another world in there.

As you can imagine, this was no mere light afternoon’s gardening. I was three afternoons in before the difference was even discernible. But I persevered for two more solid afternoons, and, like Gandalf before me, “Ever he clutched me, and ever I hewed him… I threw down my enemy, and he fell from the high place and broke the mountain-side where he smote it in his ruin.”

Caspar David Friedrich - Der Wanderer über dem Nebelmeer
Half the yard is now covered in the monster’s remains (unlike the mountain-side, our land is too squishy to break), and on the other half, two hills of grape-compost stand, ferried there in buckets by my Dearly Beloved.

Job done. At least until my aches fade sufficiently for me to tackle the apple, the redcurrant, the lemon and the Japanese maple. But we shall never see such a Prunen again.

Is Handwriting Obsolete?

Do you remember that era of uncertainty, back around the end of high school, when you were trying to figure out what to do with your life? Hoping that the right answer would magically appear before me, I took a test which promised a list of possible careers based on my primary and secondary traits.

For my blend of opposites (artistic and analytical), there were only two suggestions: fur designer – I think we have already established that I am probably not Cruella de Vil – and graphologist. I had to look the latter up: it means a person who practices the art of handwriting analysis.

Not the kind where you give evidence in court that the purported suicide note was written not by the lord of the manor but by the devious machinating butler (that’s graphanalysis, part of the science of Questioned Document Examination) but the fortunetelling sort, where you inspect a piece of someone’s handwriting and tell them what kind of person they are.

Jehan Georges Vibert --The Fortune Teller, private collection
Your handwriting suggests that you are credulous and easily taken in.

(Note: if you want to find out what kind of person you are, examining yourself will get you further than getting a stranger to examine your handwriting.)

I found the idea interesting, read a book or two about it, and then lost interest when I found it was considered a pseudoscience. But my interest in handwriting remained, and to this day I get irritated by people who proclaim that there’s no need to teach children to write by hand as in the future everyone will be using digital devices for everything and no-one will need to write anything by hand ever again.

Note: predicting the future is also a pseudoscience. Unless it’s either very short-range, or admitting a wide margin of error, or both. Refusing to teach children a practical skill because they might not need it is not responsible educating. That’s like abolishing driver’s ed because someone’s invented driverless cars. Yes, there are many ways in which inputting data into a digital device can replace writing things by hand. There are also many ways in which it can’t.

George Baxter- The Lover’s Letter Box
No one ever thinks of looking through a tree’s Sent folder

For example, people are more likely to remember things that they have written out by hand, because forming the letters and the words is a more interactive experience than pressing a series of keys or tapping a series of places on a screen. Paper and pen/cil are a lot more durable than an electronic device, don’t require ongoing access to electricity and don’t cost so much to produce.

They’re also a lot more flexible. If you want to do something different with your pen/cil and paper, you don’t have to wait for someone to write a program or app for you. You just do it. And while there are still language barriers, format is less of an issue. No one has ever had their love-letter returned by the postal service because their beloved’s letterbox couldn’t open that filetype.

Nor is paper subject to attacks from malware, or disappearances due to bugs in the system (although some kinds of insects do like to eat paper). Nor do you have to worry about Big Brother reading everything you write and taking notes. Nor do you have to buy a new one every five minutes because this kind of paper is totally two years ago and your pen won’t write on it any more.
Lady Blogger with Her Maid, after Vermeer
I am not a Luddite – not really. I welcome the recent suggestion that New Zealand school children should be taught to code. I think it’s an excellent idea to actually teach children to master the ways of the digital world, instead of being passive consumers. But that should be in addition to teaching them to write with their hands, not instead of. Just as radio, film and TV have not replaced books, nor e-books their physical counterparts, typing and tapping have not replaced handwriting – and until they do, it’s robbing children of a skill not to teach them how.

Of course, one can go too far the other way. I see no reason to force children to learn an elaborate cursive with letters that bear no resemblance to their usual appearance (looking at you, D’Nealian upper and lower case Zs). While a certain aesthetic quality is a bonus, the main thing is to be clearly legible. I can still remember the terror of some of my contemporaries at university on being told that if the lecturer could not decipher their exam papers, they would be failed.

Some might argue that the natural solution is to allow everyone to write their exams on a computer, but that massively increases the opportunities for cheating, and the corresponding efforts to prevent it. And what if some innocent student is busily typing away and the power goes out? Or the connection fails? Or a glitch destroys all their work?

girl-1064659_640

Pen and paper are one kind of technology; digital devices are another. As is so often the case, the wisest course (it seems to me) is not to blindly promote one technology and deride or ignore the other, but to use each in the ways that it best suits, thus getting the best of both worlds in the strengths of each. It doesn’t have to be either/or.

How Do You Like Your Hand?

Insomniac notes
Not the complicated thingy on the end of your wrist, nor yet anything you may have been dealt, but your handwriting. Love it? Loathe it? Secretly proud of the fact that no one can read it but you, and sometimes not even then?