November: A Sense of Autonomy

How did it get to be the end of November already??
The year is just flying past, and the Artist’s Way chapter 11 is already inviting me to take a look back over how far I’ve come.

Before the year’s end I want to read through all my posts again, but in the meantime, I’ve considered how much change has occurred since January. Looking back, it’s actually quite a lot, although it didn’t seem so at the time – rather like not noticing the rings forming on a tree trunk.

Tree rings

I have a blog. (But you knew that.)
I write regularly. It started as morning pages and irregular blog posts; now I post regularly and have a whole day each week set aside for writing.
I take myself seriously as a writer. It isn’t just a hobby I do in my spare time when I feel like it.

I feel less anxious and guilt-ridden about Getting Things Done – still something I struggle with, but I’m learning to lighten up, without becoming totally irresponsible.

I am more generous with myself. Giving to others was a no-brainer, but with myself I played the “I bet I can carry on without that” game, instead of actually considering whether it was a good idea. For myself I had an automatic ‘no’. I was Scrooge.

Scrooge Head Maquette

I don’t mean to suggest that more is better and you should fulfil your every whim, but sometimes you lose more by going without than you gain. In the spirit of which, I had an enjoyable struggle with the AW exercises on self-nurture, over six months and during one week.

In the longer term, I plan to reward myself for finishing the current WIP draft with a new fountain pen (droooool). I also want to learn to crochet.

While I was off work sick, I managed to read nine Agatha Christie novels, three Ngaio Marshes, and two Patricia Wentworths. This was so relaxing and refreshing I had the brilliant idea of setting aside a day every now and again to do nothing at all but read. Perhaps once a month?

90124_reading_in_bed

My nurturing week includes classic things like a movie or an icecream, and simple things I enjoy like having a nice sit-down afternoon tea, or going to a charity shop to try on hats. I may also buy a magazine – no magazine in particular – and go through it for pictures to put in my scrapbook.

The Artist’s Way also challenges us to reconsider our understanding of God, particularly in the area of creativity. I have realized lately that I need to learn to trust God more and trust his dreams for me.
After all – look how far he’s brought me already.

Looking back down

Exercise 5 invites us to list the ways we will continue to change as we allow our creativity to grow and flourish. My very scientific projections suggest that I will become more relaxed, more joyful, more enthusiastic, more energetic, more generous – and more productive.

A little scrap of joy to end: sometime in the last month someone somewhere entered the words “blancmange pen” into their search engine – and they found me. My life has not been in vain.

Until next week, whether life brings pens or blancmange,
Sinistra Inksteyne hand250

A Crisis and its Consequences

After Saturday, I didn’t think I had anywhere to go but up.

I wrote a grand total of 729 words on my WIP last week. I sat down on Saturday, gritted my teeth, and wrote. I managed 37 words before I realised what the problem was.

It wasn’t so much that I had no ideas – I had a few, and enough to be going on with. The problem was that I was bored with the story.

Learning

Because the story was boring. It had got to the point where it didn’t even seem worth the effort of writing the next word, so I stopped in the middle of a sentence and did some serious thinking.

It didn’t take long to realise where the problem lay, at its deepest root – I’d long suspected, but hoped it would go away of its own accord. (It didn’t. They never do.)
The main character was flat and boring. Yes, she was supposed to be naïve, and completely uneducated in practical matters, but she had become the literary equivalent of blancmange: pale, flavourless and trembling.

Blancmange

Well, no more! I’ve kept the bit of the naïvety, and her knowledge of the world is still largely theoretical, but she’s no fool, and she knows her own mind (particularly in the matter of taking forbidden lessons in the nature and properties of explosive materials). Think of a cross between Scarlett O’Hara and a young Queen Victoria, with a side of pyrotechnical ability.

But then, of course, everything and everyone else had to change too. I had to kill off half the characters and perform radical surgery on the rest, but the result is much stronger and much more interesting.

I was surprised by how little pain it cost to kill my darlings. I had a twinge for the invisible minstrel, but he may yet return, if he can earn his keep.

The invisible man working in the nude

Unfortunately, I’ve also had to come to terms with pretty much starting all over again: most of the 27,387 words I have written so far will have to be ditched, because they just don’t fit any more. Even the (few) good bits.

Of their adventures in the Forest of Roxburghe, this chronicler shall say but little. Tsifira wandering away from the stream and getting lost shall be barely mentioned; Riordan and Berengaria going to find her shall be touched upon but lightly; and how they subsequently were lost all together and had to wait for sunrise to get their bearings will not even be spoken of.
The fraught incident involving Berengaria and an incidental bear, which was only resolved by the quick and judicious application of half an onion, shall, however, be divulged in full. (But not in this book.)

Ooh, the irony.