November: A Sense of Autonomy

How did it get to be the end of November already??
The year is just flying past, and the Artist’s Way chapter 11 is already inviting me to take a look back over how far I’ve come.

Before the year’s end I want to read through all my posts again, but in the meantime, I’ve considered how much change has occurred since January. Looking back, it’s actually quite a lot, although it didn’t seem so at the time – rather like not noticing the rings forming on a tree trunk.

Tree rings

I have a blog. (But you knew that.)
I write regularly. It started as morning pages and irregular blog posts; now I post regularly and have a whole day each week set aside for writing.
I take myself seriously as a writer. It isn’t just a hobby I do in my spare time when I feel like it.

I feel less anxious and guilt-ridden about Getting Things Done – still something I struggle with, but I’m learning to lighten up, without becoming totally irresponsible.

I am more generous with myself. Giving to others was a no-brainer, but with myself I played the “I bet I can carry on without that” game, instead of actually considering whether it was a good idea. For myself I had an automatic ‘no’. I was Scrooge.

Scrooge Head Maquette

I don’t mean to suggest that more is better and you should fulfil your every whim, but sometimes you lose more by going without than you gain. In the spirit of which, I had an enjoyable struggle with the AW exercises on self-nurture, over six months and during one week.

In the longer term, I plan to reward myself for finishing the current WIP draft with a new fountain pen (droooool). I also want to learn to crochet.

While I was off work sick, I managed to read nine Agatha Christie novels, three Ngaio Marshes, and two Patricia Wentworths. This was so relaxing and refreshing I had the brilliant idea of setting aside a day every now and again to do nothing at all but read. Perhaps once a month?

90124_reading_in_bed

My nurturing week includes classic things like a movie or an icecream, and simple things I enjoy like having a nice sit-down afternoon tea, or going to a charity shop to try on hats. I may also buy a magazine – no magazine in particular – and go through it for pictures to put in my scrapbook.

The Artist’s Way also challenges us to reconsider our understanding of God, particularly in the area of creativity. I have realized lately that I need to learn to trust God more and trust his dreams for me.
After all – look how far he’s brought me already.

Looking back down

Exercise 5 invites us to list the ways we will continue to change as we allow our creativity to grow and flourish. My very scientific projections suggest that I will become more relaxed, more joyful, more enthusiastic, more energetic, more generous – and more productive.

A little scrap of joy to end: sometime in the last month someone somewhere entered the words “blancmange pen” into their search engine – and they found me. My life has not been in vain.

Until next week, whether life brings pens or blancmange,
Sinistra Inksteyne hand250

The Artist's Way: A Sense of Catching Up

Covering July: a Sense of Connection, August: a Sense of Strength, and September: a Sense of Compassion.
Lightly covering – a crisp linen sheet, say, rather than a fat and puffy quilt.

July revealed such gems as “I believe I am getting better at socks” (knitting them, not the Pratchett kind) and “I feel more possible” (although the Caped Gooseberry assures me I am not only possible, but actual – I think my meaning may have escaped him).
Also “As a kid, we never had enough: books” (whether you can have enough books is debatable; our perceived lack drove me to read encyclopaedias and Agatha Christie at the age of six, so it’s not all bad).

Reading the encyclopedia

August asked me to complete this sentence: In a perfect world I would secretly love to be a…
All right, there’s not much secret about it, but I want to be a full-time writer.
In five years’ time, I’d like to be writing full time with one novel published and two plays produced.
What can I do now to help make that happen?
Write hard on Mondays. Make the most of morning spaces. Get to bed on time.

I was also invited to select a role model. The three women who sprang to mind are not only among my favourite writers (international women of mystery) but are also all three writers who balanced novels and the theatre in some way or another: Agatha Christie, Ngaio Marsh and Dorothy Sayers.

mystery of marie roget set

The one woman who sprang to mind whom I most certainly do not wish to take for my pattern is P.D. James – at least having a DDJ until reaching retirement age. In the areas of literary achievement, faith and perseverance (not to mention the life peerage) I’d be most happy to follow her example.

Also, if I was a colour, I’d be russet: colour of earth and blood, rich cloth and poor, and the bindings of old books. The colour of autumn leaves, the colour of rust.

September brought an insight – I should stop calling myself lazy. I wrote “you may be scared, self-doubting and self-flagellating, feeling tired, heartsick and guilty – but you are not lazy.”

Procrastination isn’t the result of laziness, Cameron says. It’s the result of fear.  “Fear is what blocks an artist. The fear of not being good enough. The fear of not finishing. The fear of failure and of success. The fear of beginning at all.” (p.152)

There's no fear in love.

Another insight: “Over any extended period of time, being an artist requires enthusiasm more than discipline. Enthusiasm is not an emotional state. It is a spiritual commitment…” (p.153).

Much like marriage: you can’t stay in the same emotional state for 50 years, you need commitment. But commitment shouldn’t be replaced by discipline (hug two three! kiss two three!) because discipline isn’t rooted in love – except perhaps in love with how wonderfully disciplined we are!

The trick is to find our enthusiasm for the task at hand – and how to find it quickly in the pre-dawn dark when getting out of the nice warm bed seems like a particularly sadistic rebirthing technique.

As always, your wisdom welcomed! Or witty folly (better a witty fool than a foolish wit) – we’re not fussy here!

Sinistra Inksteynehand250

I'm Keen!

Enthusiasm is often derided in our society – being blasé, bored, cynical and flippant is just so much cooler.

Well, forget cool. (I was never going to be cool anyway: I prefer to be warm when it’s five degrees outside, so I actually wear clothes in winter. Wooly ones.)

Tongue out with excitement

As Simon Pegg says: “Being a geek is all about being honest about what you enjoy and not being afraid to demonstrate that affection. It means never having to play it cool about how much you like something. It’s basically a license to proudly emote on a somewhat childish level rather than behave like a supposed adult. Being a geek is extremely liberating.”

I mean, who looks like they’re having more fun?
These people:

Everyone looks happy

or these people?

01 (345)

Exactly.

So, in the spirit of being unashamedly enthusiastic about things we like, here’s a few things I like in books and stories generally.

I like ‘cosy’ murder mysteries, where people might be offed by their nearest and dearest, but never in a manner that is sadistic or tortuous.
I like little old lady detectives – Miss Silver, Miss Marple, and their ilk.

Knitting Ladies revisited

I am particularly fond of Miss Silver, but that may be due in part to my seasonal predilection for knitting. Her only fault is her pronunciation of French with an English accent. Otherwise, she is who I’d like to be when I grow up (if indeed I ever do).

I like drawing-room scenes at the end where the detective explains what happened – whether before or after the criminal’s identity is revealed.

I like writers who have fun with language, who aren’t afraid to be a bit silly and in whose company you can rest assured nothing grotty is going to slide past your eyeballs. P.G. Wodehouse, you are my hero.

DSCF0122

I like historical novels – provided they aren’t modern characters acting in modern ways in a quasi-historical setting. Ellis Peters is a good example of getting it right.

I like fantasy, provided, again, that they aren’t modern characters acting in modern ways in a fantasy world. Unless of course they are visitors (unintentional or otherwise) to this other world, in which case, potentially hilarious!

PeekABoo

Which brings me to my next point: Culture Clash! I love culture clash stories. At least the ones where culture clash is food for amusement. Where two cultures clash, take on each others worst aspects, and descend in interlocking spirals of unthinking destruction and despair, not so much.

I like well thought out worlds, with interior consistency, even if they’re consistently weird (see Terry Pratchett and Simon R. Green).

Great A'Tuin, the star turtle, bears the Discworld through space [1680x1050]

I like stories to have a structure – not such a big fan of the post-modern ‘significant meaninglessness’; and I really don’t go for teenage, middle-age, or any other age angst. (Note to Holden Caulfield: habitual liars do not get much sympathy when complaining about how phoney everyone is.)

I like imagination and wit.
I like a story I can get right into.
I like to be slightly forlorn when the tale is finished (and peeved when I find the author has inconsiderately died and will therefore be producing no more.)

What about you?
What do you like, and what do you loathe?
If you could bring back one author from the dead (in a Frogs kind of a way, not a Monkey’s Paw kind of a way), who would it be?