Upskilly & Stuff 7: The Measurements

Seventeen measurements, to be precise (dictated by Pattern Drafting for Dressmaking). The full panoply of which (good word, panoply) gives you enough information to create a pattern which fits you perfectly. The measurements include everything from your widest point or ‘seat’, to the distance from your neck to your waist at front and back, to the circumference of said neck at the base.

Image from page 14 of "The new dressmaker; with complete and fully illustrated instructions on every point connected with sewing, dressmaking and tailoring, from the actual stitches to the cutting, making, altering, mending, and cleaning of clothes for la

Obviously, these are very difficult measurements to take by yourself, particularly if you want any degree of accuracy (which you do). Unlike the woman in the pictures above, who has either the help of two people, or the help of one freak with two left hands, I had the help of the Caped Gooseberry (CG: where is the base of your neck? me: where those two little knobbles are).

So all I had to do was stand there and help figure out what the descriptions meant. (I think we still got at least one of them wrong.) Seems simple enough, you would think. But now for the hitch in Deborah’s character, to steal (and alter) a line from Jane Eyre.

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Introducing Upskilly & Stuff

Imagine the splendid freedom of being able to make your clothes be whatever you wanted. It’s something I’ve wanted to be able to do for ages. But while I’ve made a few ill-fated sorties in that direction, I never really got anywhere, and only recently did I realize why that was.

A Parisian seamstress suffering from anaemia is pale and Wellcome L0032772
The problem, I found, is that most books on sewing (of which I have several) are more or less an archive of techniques. Undeniably useful, but one cannot wear techniques. I needed something which would take me step by step from simple to complex – a road map, if you like.

The library books I browsed which were aimed at beginners sometimes aimed to do just that, but there was still a problem. To put it frankly, I wouldn’t wear anything in those books even if it did come out right.

This isn’t really their fault. I’ve aged out of their target audience, and, more to the point, I’ve never really worn what’s “in”. I don’t want to be mutton dressed up as lamb. I’d rather be hogget dressed up as… er, eccentric.


But most of the clothes I’ve seen in learn-to-sew books seem to mimic as closely as possible what you can get in the shops (sometimes “customized” with random bits sewn on or fraying or other laundry-problematic effects).

Of course, I can’t expect a book to be written for me, tailored to my own wardrobe wishes (as wonderful as that would be). So instead, I sat down and wrote a list of all the things I’d need to learn to do in order to make the kind of garment I want to wear. Seams and sleeves and set-in pockets and what have you.

And then I did a bit of research and figured out what simpler garments use those skills, adding another skill here and another one there.
The result: a list of ten projects to see me through a year from “sew a hem” to “sew a dress.”

Arbo-Syende pike i hagen
She’s confident. Don’t mess with her.
Now, you may not be interested in sewing a dress, but the beauty of the idea is that you can identify your own target garment and make your own skill list. Each month, I’ll announce what I’m planning on making and the skills I expect to learn from it. If that aligns with your skill plan, feel free to join in, or follow along with a different project that works toward your target.

At the end of each month, I’ll report back on what I did, how it went, and what I learned. And I’d love to hear from you, whether in a comment or in a link to your own posts.

Don’t let a paucity of resources stand in your way. Not having the largest budget in the world myself, I’m mostly going to be using what I’ve already got: odd bits of fabric, old clothes, recycled or thrifted sheets, and my trusty cast-iron hand-crank sewing machine (which I must remember to oil before I start).

Alexey Akindinov. Seamstress. 2000
“Seamstress”, Alexey Akindinov, 2000
As far as patterns go, I’m going to be using some I already have, finding some which are free online, and possibly even creating some myself, with the help of an old copy of Pattern Drafting for Dressmaking by Pamela C. Stringer. I may or may not end up buying any – we’ll see how it goes.

Now, some of you are probably wondering what’s with the title of this post (and, indeed this series). The more obvious names were already in use, so I decided I’d go for something rather more eccentric, playing off the culinary phrase “skilly and duff” – skilly being a savoury gruel and duff being a dumpling to boil in it, and the whole being the sort of thing a swashbuckling seafarer would eat.

Awilda
A pirate wears what she chooses! Yarr…
Moving our skills up the ladder is the means to our end (I loathe the word “upskilling, but somehow “upskilly” is fun), and “stuff” is an old word for fabric used for making clothing. So there you have it: Upskilly & Stuff (US&S for short).

So, starting at the very beginning (a very good place to start, I am reliably informed), in January I will be making a kerchief or bandanna.
Skills: measure, cut, and hem. Bring on the hypotenuse.