How is a Novel Like a Sock?

They both have heels? No?

I was re-reading some old posts the other day and rediscovered my Master Metaphor: knitting a sock. The big long-running effort in my life at the moment is finishing the accidentally-epic first draft of my current Work In Progress, working title Tsifira. So naturally, my mind turned to considering it as a sock. A purple sock, of course.

Marknadsföringsbild för utställningen Under ytan på Hallwyl 2013 - Hallwylska museet - 91265

Writing a sock is actually a lot like knitting a novel. Getting started is fiddly, and sometimes takes more than one attempt. After that you seem to be just going around in circles for a very long time. Then it gets more complicated.

There’s a lot of going back and forth, the pattern changes, and what used to be sideways becomes up, and vice versa. You have to pick up a number of threads you thought you’d finished with, and then you’re going in circles again. It’s not til you look back you realize that you’ve turned the heel.

Then, just when you’re thinking there will never be an end to this interminable circling, you realize you’ve got so far that it’ll be too long if you don’t start tapering toward the end.

This is where I am at with Tsifira at the moment: shaping everything in to the end. And once that’s done, there’s only a bit of grafting the loose ends together and it will be finished.

Jabberwocky-sock
Not quite how I expected my sock to end.

Of course, this is a first draft, so there are all kinds of mistakes I don’t even know how to make with a sock: surplus beginnings, several heels (and quite a few turns!), extra length where not required (okay, I definitely know how to do that one) and the toe shaping could well turn out too pointy or too blunt.

But that’s a first draft for you: messy as, and looking like nothing on earth. And this is where the sock metaphor falls down a bit (hur hur), because it’s really very hard to rewrite a sock. Either you undo the whole thing and start over (not recommended) or you cut and paste (definitely not recommended).

The point of the master metaphor is not, of course, that one thing is analogous to another, but that having done one thing that seemed difficult or impossible, it is possible to do another. And so with this.

A great deal of rewriting lies ahead, no doubt, but one day I shall hold my finished sock novel in my hot little hands, and that will be awesome, even if it doesn’t keep my feet warm.

Albert Anker - Strickendes Mädchen beim lesen (1907)

Now if you’ll excuse me, I have some toe-shaping to do.

What’s your Master Metaphor? Know any good metaphors for rewriting? How is a raven like a writing desk?

Guilt-Free!

They say that guilt is like pain: it’s there to tell you something’s wrong, so you can fix it. And this is true – or at least it can be. Sometimes, though, you feel guilty for something you really shouldn’t feel guilty for.

Eating, for example. Unless you’re eating in a self-destructive way, you shouldn’t feel guilty for eating. Eating food with more calories than celery is how you fuel your body, not a transgression that requires penitential exercise to exorcise. As it were.

Donut of DOOM

(Speaking of celery, I’ve heard that it takes more energy to consume than you actually receive from it; which suggests it’s only good for three things: carrying dip, making loud crunchy noises, or wearing on your lapel.)

Generally speaking, I avoid food that’s labelled “guilt-free!” because a) I don’t want to fund that kind of thinking, and b) they might as well label the food “taste was not our priority”.

I admit, eating is not something I tend to feel guilty about. But, as the Caped Gooseberry gently pointed out to me the other day, I do tend to set goals or targets for myself and then feel guilty if I don’t meet them.

As guilty, mark you, as I would feel if I had broken some more important rule, such as “Do Not Kick That Puppy”. Now there is nothing wrong with having a moral code (the puppies of the world thank you) but to put everything at the same level lacks perspective.

Weim Pups 001

On the other hand, setting goals can be good, and having targets is about the only way to reach them. The problem is when the goals become, as it were, a measuring stick to beat yourself with.

What to do?

I have set myself the goal of finishing the first full draft of my WIP by the end of the month. I’ve rearranged my daily round so I have two blocks of writing time each day: three hours in the morning and two hours in the afternoon; and this has definitely helped kick the productivity into high gear. But there’s still no guarantee that I will reach the end of the story by the end of the month.

So I have to keep reminding myself that it’s ok; that I will have made a huge and pleasing amount of progress even if I don’t write “The End” on the day I desire, and I do not need to feel guilty if I don’t.

The End Book

This goes hand in hand with reminding myself that I haven’t “failed” for the day – or the month – if I start a little late or don’t manage as many pages as the day before. Guilt can be crippling, and that leads to further failure – the genuine failure of giving up altogether.

It’s worth asking yourself, the next time you’re feeling guilty: have I really kicked a puppy? Or is this guilt a false friend who should be shown the door?