Sproing Cleaning

No, that is not a typo. Well, it is, but it’s an intentional one. (This time.) The first time I typed it I was aiming for Spring Cleaning, but my right hand decided that Sproing Cleaning was much more accurate, and I must say I agree with it (not least because it is presently spring nowhere on earth).


There’s a sort of a fizz in my blood at the moment, a wild and reckless fizz which suggests the committing of wild and desperate acts of pruning. (Of stuff, not plants. Mostly.)

This is hardly surprising, coming as it does on the heels of the completion of a years-long project. And it’s encouraging. According to Julia Cameron in The Artist’s Way, “One of the clearest signals that something healthy is afoot is the impulse to weed out, sort through, and discard old clothes, papers, and belongings.”

So here I am, poised on the brink of the Sproing Cleaning, little pebbles falling over the edge at my feet (a game here, a book there…) and wondering – how far do I go?

Caspar David Friedrich - Wanderer above the sea of fog
This question is of course affected by many factors. How much stuff I actually have, how much of it is not ‘mine’ but ‘ours’ and therefore not mine to fling at will, how much energy I have to expend (always bearing in mind that it’s more economical of energy to do the job thoroughly once than fribble away at the edges of it for years).

[Digression: I thought I had invented the word ‘fribble’ but according to the SOD it can mean “to falter, stammer; to totter in walking… to act aimlessly or feebly; to fiddle;” or “to behave frivolously” – said to be the more modern meaning, around since the 1640s. And that’s just the verb…]

But at the heart of it, I think all these questions come down to one factor: regret. Would I regret getting rid of things? Would I regret not getting rid of more? Where, in fact, does the true sproing lie in all of this?According to Marie Kondo, “The question of what you want to own is actually the question of how you want to live your life.”

How do I want to live my life? What does that entail getting rid of? And even if I do regret the occasional discarded item, is it still worth it for the resulting sproinginess?

I guess the reason I’m asking all these questions in a public forum is because I’m not sure I yet have the cavalier attitude necessary to plunge over the edge at which I stand, and, well, we’ve all heard the story about penguins, haven’t we?

(Penguins don’t actually do this, it turns out, but bear with me; it’s a useful metaphor.) The penguins allegedly jostle together at the edge of the ice until one is shoved right over the edge – thus providing valuable research data on the presence of predators in the waters below.

Adélie penguins in Antarctica, Antarctic Peninsula
Test subject #1 is in the water!
So, has anyone here been over the edge? (Are there sharks? Sea lions? Oceans of tasty krill?) And if no one here has yet taken the plunge, who’s up for a bit of encouraging jostling?

The Home of Enoughness

A face, Loretta Young said, “is like the outside of a house, and most faces, like most houses, give us an idea of what we can expect to find inside.” Our house is 74 years old, built during the Second World War as state housing: good quality housing for the working class. It’s still a good quality house. Rimu doors, matai floors, cupboards that don’t fly open in earthquakes…

State houses at Arapuni Hydro Works
A house is the embodiment of the culture which built it, but New Zealand culture has changed. As Bill McKay and Andrea Stevens noted in their book on the New Zealand state house, past and present (Beyond the State: New Zealand State Houses from Modest to Modern), most ex-state houses have been adapted, extended, enlarged. But not all. To quote: “Having lived in the house now for several years, Aaron [Kreisler, ex-state-houseowner] feels he has grown into it. Instead of adapting the house, he has adapted to it.”

There is a fascinating depth to that idea which I would like to delve into. The idea of cutting your coat to suit your cloth is quite passé, but why? What is the allure of indebting yourself in order to increase your space beyond what you actually need? First you spend money on stuff, and then you spend more on enlarging your house to fit it. Why not instead take the house as it is, as your ally in living a life of enoughness?

I feel particularly blessed in that regard, as my house seems to have been neatly designed for enoughness. It’s not an ornate and draughty Victorian behemoth, or an eighties temple to overconsumption, or even a modern there-is-a-house-somewhere-behind-this-garage architectural ode to our cultural dependence on personal vehicular transport. It’s a 1940s row house/terraced house, with a slightly cottagey aesthetic.

A Day in the Life of a Wartime Housewife- Everyday Life in London, England, 1941 D2358
One can imagine the first occupants moving into it with the precious furniture that their family managed to hold on to through the Depression, each item carefully tended and given its own place. If there’s one thing that this house would not have seen a lot of in its early days, it’s clutter. Its ‘face’ suggests an interior of comfortable simplicity, an efficiency without sterility, a warm and unpretentious home. Slick modern luxury? No.

McKay and Stevens describe the ex-state house bathroom as “a surprisingly perfunctory space. It is tiny and speaks of a very different attitude to what is seen nowadays as an indulgent daily ritual.” Our very typical bathroom contains a bath, a basin (no stand, it’s attached to the wall) and a toilet, with the sum total of storage provided by a small medicine cabinet set into the wall. If you want to avoid accumulating clutter, the ex-state house bathroom is your friend, the tough no-nonsense kind of friend who will chuck your extra conditioner bottles out the window if you overcrowd the sill.
VIEW OF INTERIOR BATHROOM, FACING WEST - 1019 East Fourteenth Avenue (House), 1019 East Fourteenth Avenue, Tampa, Hillsborough County, FL HABS FL-557-13
Storage becomes a bit of a theme in McKay and Stevens’ description. “But the thing you really notice when visiting these houses is how little storage space they had compared with today’s homes. We don’t take up more space, but our stuff seems to; indeed, quite significantly more. A standard-issue wardrobe for these times was about a metre wide. With all the consumer temptations thrown at us today, this would barely be enough for a coat collection.”

On reading this, I immediately thought of what could be construed as my coat collection. I have one winter coat of wool, one jacket ditto, one alleged raincoat (showercoat, more like), and one red velvet coat, plus one large cloak. This seems to me like a lot, but I can assure you, it doesn’t take up half of the wardrobe space which the 1940s have bestowed upon me. Six dresses hang in the same wardrobe, along with a collared shirt, two skirts, my evening wear, an off-season dressing-gown and my wedding dress. And a hanging doohicky which holds scarves, hats, kerchiefs, belts etc. And that’s just the rail. What more do I need?

Second floor, northwest wall of northwest bedroom - Jacob Crow Farm, House, Crow Creek Road, 1 mile south of intersection of Routes 15 and 28, Cameron, Marshall County, WV HABS WVA,26-CAM,1A-17
“’There’s this fascination now for people making their mark with these über-sized houses,’ reflects Aaron, ‘where your kitchen has to be a chef’s kitchen and your bathroom a large walk-in space. [I am happy to say that I have yet to see a bathroom into which one cannot walk. Possibly he is conflating the idea of the large en-suite bathroom and the walk-in wardrobe?] The addiction to spending is huge. We are the generation that is allowed to carry large amounts of debt. And so the state house presents a different set of attitudes about ownership.”

Perhaps that’s something we can use to help ourselves, as our culture careers down the slope of constant-growth consumerism like an out-of-control shopping trolley toward the muddy ditch of debt and buyer’s remorse. If a house speaks to us of the culture that produced it, perhaps we can use the house as a way to reach back to that culture, or rather, a way for that culture to reach out to us.

I can’t help feeling, though, that the past is most likely to reach out and smack us round the head, shouting “what on earth do you need that many clothes for? How many bodies have you got? And what do you mean, his and hers bathrooms? Haven’t you got any bladder control?”

double-sink-1416377_640My house is 74, after all, and at that age you’ve got past any awkwardness about asking people embarrassing questions.

How old is your house? And what might it say to you?