Preparing the cover for Amiant Soul was a confusing and somewhat nerve-wracking business. It wasn’t just that I wanted deeper tones on the cover image, or even that I wasn’t entirely qualified to make those changes (i.e. completely ignorant of how to go about it, and succeeding only by means of some rather messy trial and error).
It was the way the image appeared on the screen – or rather screens. I work with two screens, one built into the laptop I use, which is a more bluish toned screen, and one separate monitor, which is less blue. Naturally, the cover image appeared different on each screen. That I was prepared for.
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