Ten Ways to a More Ethical Wardrobe

Most of us would like to have a more ethical wardrobe. Most of us don’t. It’s not a case of active ill will, or even apathy – it’s a matter of not knowing where to start. Or what to do.

After all, clothes don’t come with labels saying how many toxic chemicals were used in their manufacture, or how many hours of unsafe, underpaid or even forced labour went into their production.

Made in Sweatshop (10139206873)
Which makes it hard to know whether the item you are buying is supporting people who desperately need the work, or taking advantage of their desperation to effectively transform them into your outsourced slaves.
Which is why it was not only informative but invigorating to read Lucy Siegle’s book To Die For: Is Fashion Wearing Out the World? Because she not only points out the problems, but suggests a few solutions. I’ve collated ten of them here for your consideration.

1: choose your fibres carefully. Production, useful life, disposal. Some man-made fibres are actually less unfriendly to the environment in production than, say, cotton; but on the flip side your grandchildren’s grandchildren will be cold in their graves and the stuff still won’t have rotted down. I recommend Siegle’s book for a more in-depth analysis of the pros and cons of various fibres. Organic cotton and wool are two of the better options.

2: mend. Siegle suggests putting aside 10% of your clothing budget for mending; you get more Little Old Lady points if you do the mending yourself. Personally, I take my shoes to a cobbler for resoling and mends (considerably cheaper than a new pair of good shoes), but I try to do other mending myself – buttons, hems, darning…

Elderly cobbler 2
3: buy second hand. Alas, the nature of fast-fashion means that the quality of second-hand clothing is considerably lower than it once was: if you expect people to move on to something new after two or three wearings, there’s no need to make the item durable. Not to mention that if you’re a sweatshop worker paid by the item, there’s a lot of pressure to construct the garment quickly, not well. Still, good items can be found, they just take a bit more finding than they used to.

4: swap. Either casually, among friends (it helps to have friends of similar taste and/or size) or at an organized swap. As with buying second-hand, it gives the garment a useful second life, rather than consigning it to the dump.

5: make your own. I was delighted to read Siegle’s line, “In many ways knitting is the perfect cornerstone for the burgeoning ethical fashion movement.” I can knit my own socks, hats, gloves and so forth; my next big batch of skills to be acquired is learning how to sew my own clothes. Obviously, this is a long-term, take-it-a-step-at-a-time proposition. Still, the freedom inherent in being able to decide for yourself what cloth, cut and colour you want, instead of being forced to choose from a limited number of options, is very alluring.

Costume workshop at a theatre, Prague - 8581
6: launder carefully. We tend to forget that some of a garment’s eco-impact is neither in its birth nor in its death, but in its life with us. Wash your clothes in cold water, air-dry where possible, and don’t wash your clothes unless they actually need it. (You don’t need to launder a garment just because it’s touched your body. Unless you have some sort of oozing skin disease…) Avoid dry-cleaning too, if you can – the ‘perc‘ which is most commonly used in dry-cleaning is not only carcinogenic but neurotoxic. And in any case, most things marked ‘dry clean only’ do not explode in a ball of flames if you gently hand-wash them.

7: re-use materials. One garment can be refashioned into another. A sheet can become a dress. A pair of jeans can embark on a second life as a skirt. A hideous knitted monstrosity from the op-shop can be unravelled for the wool and reknitted into something much more appealing. (Unless it’s glittery mohair. Not much can be done about that.)

8: buy from ethical brands. This takes a fair bit of digging, as nothing pleases the corporate pocket-book more than marketing to the fair-minded without actually putting their money where their mouth is, but happily there are those who will do some of the digging for you. Baptist World Aid’s Ethical Fashion Guide is compiled for the Australian market, but globalization being what it is, people from all over will find it useful.

Dhaka Savar Building Collapse
9: move slowly. Don’t allow yourself to be rushed into purchases, either by lack of planning (hole in the last good pair of socks!) or by cunning marketing ploys. Do your due diligence. Plan ahead. Savour the pleasures of anticipation. Don’t buy anything unless you’re sure that you’re making a good decision, one that you’ll be happy with tomorrow (and all the years to come).

10: consume less. As Dame Vivienne Westwood says, “Buy less. Choose well. Make it last. Quality, not quantity. Everybody’s buying far too many clothes.” Wearing the same things over and over again is not a penance when each item is something you love, something which tells the world a bit about who you are, something that is a pleasure to wear.

Lucy Siegle writes at the end of To Die For, “Free of the constraints of endless consumption, you can have a wardrobe that is more sustainable, more valuable, more enduring and more you.”

warm enough?
Doesn’t that sound wonderful? If you’re anything like me, there’s a fair way to go yet, but we can get there – one step at a time.

Choose Your Impact

crossroads
You cannot get through a single day without having an impact on the world around you. What you do makes a difference, and you have to decide what kind of difference you want to make.
Jane Goodall

Convolvulus: A Commination

I’ve always liked the idea of being a gardener. I took Horticulture in the fourth form, and Agriculture/Horticulture in the sixth form. I even toyed with the idea of becoming a landscape architect. Gardening is a classic Little Old Lady enthusiasm, and an area in which I have always felt I fell short of true Little Old Lady-hood.

sea-of-flowers-217683_640Because when it comes down to it, I have seldom ever actually gardened, and I think the reason for this lies in my childhood. We moved house frequently, so while there was always gardening to be done, we seldom hung around long enough to see the fruits of our labour. In fact, when I had to grow a garden for school (back in my primary days) I had to grow it at a friend’s house, so as to ensure continued access.

The result of all this was that I subconsciously filed gardening under ‘thankless toil’ and never did it unless I had some particular reason to – such as the vegetable garden I grew in the fourth form. My excitement when I saw something I’d planted actually produce knew no bounds. I even dragged my mother out to look at them when she got home. I don’t think she understood why I was so excited about pea plants producing peas, but she duly admired them all the same.

My enthusiasm – particularly as far as weeding was concerned – was rather dented by that same garden, however. While getting down to weed’s eye level to wreak havoc on the little pests, I discovered that weed’s eye view is also really-quite-large-frog’s-eye-view. I don’t know which of us had the worst fright.

frog-48239_640
So without anything much to motivate me, I seldom gardened; and my occasional bursts of enthusiasm were not enough to make the garden thrive. Such enthusiasm as I had was dampened by the regularity with which the weeds returned and the seeds I’d planted failed to grow. Now, however, being the sole lady of this little demesne, I find that my attitude to gardening is slowly changing.

Instead of the source of unremitting toil which will never render any return, I am beginning to look on the garden as something which is mine to nurture, and which will repay my efforts on its behalf with Good Things – food, and pleasant scents, and leafy sun-dappled shade.

So I have started to garden, little by little. I have dipped my toe into pruning, weeding, planning, repotting, planting – including some seeds which actually sprouted (magic beans from my mother). We’ve even eaten some of the produce of our garden (mint, nasturtiums, redcurrants and lemons). And yet, into this nascent Eden has crept a snake: the accursed Convolvulus, or bindweed.

Field Bindweed (Convolvulus arvensis) (7171469057)The Caped Gooseberry has been waging daily war on it for weeks (my hero!), and yet the evil flourishes. “Have at him, chop him up, turn his roots upward to the sun, don’t let him have a fibre in the shade, if you do he’ll turn himself  t’other side up and be as green as a leek in two days,” as Thoreau observed in Walden.

Convolvulus is like the plant version of the Black Death: even a tiny bit of infection left behind can turn into a full-blown epidemic in a matter of days. If it was edible, we could feed the world with it. As Dave Barry said of crabgrass, “it can grow on bowling balls in airless rooms, and there is no known way to kill it that does not involve nuclear weapons.” And unlike bubonic plague, its victims don’t have a 50% chance of survival. If they aren’t rescued when the Tendrils of Relentless Destruction coil around them, they will be gradually choked to death. It is the Boa Constrictor of the plant world, and it grows a good deal faster.

And so I have been moved to compose this comminatory sonnet, addressed to the vile midnight strangler that creeps about my garden.

Convolvulus arvensis (akkerwinde) How I do loathe thee! Let me count the ways:
I loathe thee to the depth and breadth and height
Thy tendrils reach, and roots spread out of sight
Which all within their choking grasp embrace.
I loathe thee with the effort of each day’s
Repeated work, as my man fights the fight.
I loathe thee, as do all who see aright;
I loathe thee with the fullness of my phrase.
I loathe thy hypocritical false flower,
As with pure white thou seek’st to fool the eye;
I loathe thy strength, thy killing wield of power;
Thy weakness, using others to grow high.
And so my curse, from roots to usurped tower:
To twine about thyself, and, strangling, die.

with a nod to Elizabeth Barrett Browning
and No.43 of the Sonnets from the Portuguese (they aren’t)