Wardrobe Architect 1: Making Style More Personal

Where do you begin when creating a wardrobe? With garments? With colours? With styles? No – you begin with yourself.

In the first Wardrobe Architect exercise, we consider seven areas which affect who we are and how we dress: our history, philosophy, culture, community, activities, location and body. (Follow the previous link for a handy worksheet to note down your answers – thoughts become much clearer when you need to pin them down in visible form.)

History
I used to be a bit of a tomboy – short hair and shorts – but from my early teens moved toward length in both hair and clothing: long loose lower half with a somewhat more fitted upper half. I still wear similar looks, but I think my style has refined with time, as I filter out the things which aren’t quite me. I am still a fan of second-hand shopping, but given the difficulty of finding what I’m after second-hand, these days I buy most garments new: good-quality things which will last for years.

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Philosophy

Being a devotée of Jesus Christ affects how I dress – not simply in how much of my body is covered (although that’s usually the first thing people notice) but also in less visible ways. I strive for clothing which doesn’t have a negative effect on the people or planet which produced it, and which doesn’t have a negative effect on me: no toe-mashing shoes or rash-inducing acrylics. Perhaps most important of all is the belief my faith gives me that I do not need to conform to the expectations of a consumer society.

Culture
I grew up in Papua New Guinea, with Melanesian modesty standards (must cover loosely from waist to knee). But I also have an overlay of Western culture, and the mix of the two has somehow come out a bit… historical-looking. Not of any one time, mind you, just definitely not modern. (Or post-modern, or whatever we’re up to now.)
Side note: I always find it strange when people ask me if I dress the way I do because my church says so. I have yet to see any other woman in this area who dresses the way I do, so what are people thinking? That I belong to a group so small I’m the only woman, or that I belong to some whacko group which only allows one woman out at a time? For the record, I am the only woman in my church who dresses like me.


Community

I imagine it takes a lot of courage to dress differently if you experience backlash from those near to you. Fortunately for me, I have friends who believe I should be allowed to dress however I choose, and even more importantly, I have a husband who supports me dressing as I choose – despite some people assuming that if a woman is wearing long skirts and a kerchief/bandanna, her husband must have decreed it and is clearly oppressing her. (The padlock possibly doesn’t help this.)

Activities
I like to walk freely in my clothes. I don’t like to run in them, but I like to be able to. So tight skirts and high heels aren’t gonna happen. I also like to be able to roll my sleeves up for cleaning, gardening etc. But I generally don’t go in for activities that require special clothing, or for which long skirts are impractical. (Apart from swimming, for which I have a burqini.)


Also: pockets. I always have a handkerchief and a propelling pencil (you never know when you might need to write something) except when I wear one of my pocket-free dresses. And then I fret. I almost feel like this should be under philosophy: I am a vehement antipocketlessite. Never shall I make a pocketless dress. (Cue “Scarlett O’Hara just before the intermission” moment.)

Location
I live in the south of the North Island of New Zealand. Lots of rain, and while temperatures are generally between 0ᵒC and 30ᵒC, the weather is very changeable (it comes from being surrounded by sea). This is a country where people go for an afternoon walk on a lovely sunny day, get lost, and die of exposure when the weather changes. There’s no putting your winter clothes away for the season here.
I remember once putting on cold-day clothes and by the time I’d walked a kilometre down the road to the bus stop, the temperature had gone up ten degrees, and the polyprop underlayer I was wearing was no longer welcome. So layers that can be easily removed (even in public) are the way to go, and separate wardrobes for different seasons is a non-starter. Flexibility is key. Clothes that can’t get wet are less than useful.


Body
I actually quite like my body. It’s fairly averageish in most directions, but not aesthetically unpleasing, I think. I do like dresses which observe my waist, but I don’t have as many as I’d like, because they’re hard to come by (dresses, that is; I only have one waist which is exactly as many as I’d like). Belts are handy in that respect. I feel the cold easily, especially in my feet, so I almost always wear sheepskin slippers (except when out and about). Being private about my body, I prefer clothes that stay in place when I move: e.g. don’t flash the people opposite if I lean over a pool table.

But enough about me; what about you? Feel free to share about one, some, all or none of these in the comments section (comments can be as long as you like), or leave a link to your own post about it, if blogging. And don’t forget there’s a worksheet on the Colette blog (link above) to aid in considering all these influences on the way you dress.

Next month: defining a core style!

Helpful Books for Writers

Being a passionate reader as well as a writer, I have inhaled a large number of books about writing over the last (cough) years.


Here are ten I have found particularly helpful – though it’s worth remembering that your process may be different and therefore Your Mileage May Vary.

Becoming a Writer by Dorothea Brande
This book isn’t about writing per se; it’s about being a writer, a person who writes – and how to not be a person who wants to write but doesn’t. It’s not by any means a new book, but in my opinion it is darned good stuff. It’s encouraging, it’s practical, and it’s one of the books which frequently appear in the pile under my bedside table.

Save the Cat by Blake Snyder
Technically a screenwriting book, it is worth reading if only for the wit and enjoyment. Though fiction writing can be looser in structure than screenwriting, a lot of the lessons carry across (the Pope in the Pool is my personal favourite).


Story Engineering by Larry Brooks
If you feel you are lost in a swampy thicket of “I don’t even know where I am or what I’m doing here or what this book even is” then this is the book for you. I was first drawn to it by the structural aspects, but got a healthy dose of all the other essential elements of a successful book.

Plot versus Character by Jeff Gerke
How to plot for character-driven writers and how to character for plot-driven writers. A painless extraction. I feel it improved both my project in hand and myself as a writer in general.

Please Understand Me IIDavid Keirsey
A handy tool for when you’re mulling over your characters, considering each type’s values and how they function as leader, spouse, parent or child. I don’t advocate using it as a tool for creating your characters out of whole cloth, but it can help you fill out the dimmer corners.

Don’t: A Manual of Mistakes & Improprieties more or less prevalent in Conduct and Speech
The Irresistible Novel
by Jeff Gerke
You will never come to the end of people telling you how every last detail of your writing should be done: rules, rules, rules. Jeff Gerke cuts through all that by pointing out that the only must is that you must keep your reader’s interest. And then he lays out a whole range of choices you need to make and gives you the information needed to make those decisions yourself.

Revision and Self-Editing for Publication by James Scott Bell
You get to the end of your epic first draft. You celebrate. You take some time off to let it settle, maybe work on something else for a bit. And then you come back and you look at that massive indigestible mass of paper. And what do you do then? You make yourself a cup of tea and you settle down with this book, is what.

Let’s Get Digital by David Gaughran
Basically the best book on self-publishing I’ve read to date. Currently in its third edition, but the first edition (2011) is freely available for download from his website if you want to get a feel for it (it’s under a CC-BY-NC-ND license). Mostly about ebooks (hence the title) but with a helpful section on print-on-demand as well.

The Kindle Gazer, after Lilla Cabot Perry
How to Market a Book
by Joanna Penn
What I like most about this book is that it doesn’t make you feel guilty for not being the world’s top salesperson. She lays out the many and various options for marketing your book and then lets you decide what will work best for you.

Rise of the Machines by Kristen Lamb
The how and why of blogging and other social media for authors. I haven’t necessarily implemented everything in her book, but it’s encouraging stuff and makes it all seem possible.

So there are my recommendations – what are yours?